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Descent into Limbo

  • Object:

    Print

  • Place of origin:

    Mantua, Italy (made)

  • Date:

    ca. 1475-1480 (made)

  • Artist/Maker:

    Mantegna, Andrea, born 1430 - died 1506 (engraver)

  • Materials and Techniques:

    Engraving on paper

  • Credit Line:

    Bequeathed by Constantine Alexander Ionides

  • Museum number:

    CAI.603

  • Gallery location:

    Prints & Drawings Study Room, level C, case IONIDES, shelf 13

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The composition is famous for the unusual placement of the figure of Christ, with his back to the viewer as he enters into Limbo. It also shows Mantegna's interest in rock formations, which he studied from nature.

There has been some debate about whether Mantegna engraved more than the seven works usually assigned to him, or even whether he engraved any himself. From 1475 Mantegna is known to have been looking for a professional engraver to work for him, but one is not known of until the 1490s.

This print is among those that some scholars include in an expanded list of works engraved by Mantegna himself. The attribution of this work to Mantegna himself is based on comparison between the preparatory drawing and print, showing how changes to the design were engraved directly onto the plate without preparation.

Whether this print was engraved by Mantegna or someone working from his drawings, it reflects a new practice of artists reproducing their drawings in print. Collectors accepted prints taken from drawings as originals to be prized in their own right. From about 1490 Mantegna employed Antonio da Brescia to engrave copies to satisfy this demand for them - included among these is a variation of this composition.

Physical description

An archway set into a rock and guarded by winged demons blowing horns. Christ with his Resurrection banner enters the archway. He stands on the broken door. A man (usually identified as the Good Thief, Dimas or Dismas) stands to his left holding the Cross. To the right are a group of men and a woman who appear tormented, one holding his hands to his ears. Two of these are usually identified as Adam and Eve.

Place of Origin

Mantua, Italy (made)

Date

ca. 1475-1480 (made)

Artist/maker

Mantegna, Andrea, born 1430 - died 1506 (engraver)

Materials and Techniques

Engraving on paper

Dimensions

Height: 42 cm trimmed, Width: 32.8 cm trimmed

Descriptive line

Andrea Mantegna, engraving, Descent into Limbo; Mantua, Italy, ca. 1475-1480.

Bibliographic References (Citation, Note/Abstract, NAL no)

Bartsch, Adam von, 1757-1821. The illustrated Bartsch. New York : Abaris Books, 1978-, no. 13.
Essay pp. 73-78.
Mantegna, Andrea, 1431-1506. Andrea Mantegna. London : Royal Academy of Arts in association with Electa, Milano ; New York : Metropolitan Museum of Art : Distributed by Abrams, 1992.
Besides the general essays there is a chapter on the subject on pp. 258-272.
Christiansen, Keith. 'The Case for Mantegna as Printmaker', in The Burlington Magazine. Vol. 135, No. 1086 (Sep., 1993), pp. 604-612.
Bartsch, Adam von. Le Peintre Graveur. Vienna, 1811. Vol XIII.
Hind, A.M. Early Italian Engraving. Washington, 1948. Part 2, Vol. 5.
Landau, David and Peter Parshall. The Renaissance Print: 1470-1550. Yale University Press, 1994.

Production Note

In Mantegna exhibition catalogue (1992) this is catalogued as being by Andrea Mantegna himself.

Subjects depicted

Men; Woman; Jesus Christ; Cross; Rock; Door; Adam and Eve; Archway; Horns; Devils; Banner of the Resurrection; Dismas

Categories

Prints; Religion; Christianity

Collection code

PDP

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Qr_O517094
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