Not currently on display at the V&A

Costume Design

1937 (Drawn)
Artist/Maker
Place of origin

Full length featureless female figure wearing white knee-length ballet dress with short puffed sleeves, with indicated lattice at centre front, pink and gold flower corsages at centre front and lower right skirt, the bodice edged with gold with small gold 'wings' on sleeve tops and small gold band and pink flower headdress. Fabric sample attached top left. Pencil, wash and gold paint. Annotated, signed and dated.


Object details

Categories
Object type
Materials and techniques
Watercolour, gold paint and pencil on paper, synthetic silk.
Brief description
Costume design by George Kirsta for a dancer in the Carnival (Galop) in Bronislava Nijinska's ballet The Beloved One (La bien aimee), produced by the Markova Dolin Ballet, 1937.
Physical description
Full length featureless female figure wearing white knee-length ballet dress with short puffed sleeves, with indicated lattice at centre front, pink and gold flower corsages at centre front and lower right skirt, the bodice edged with gold with small gold 'wings' on sleeve tops and small gold band and pink flower headdress. Fabric sample attached top left. Pencil, wash and gold paint. Annotated, signed and dated.
Dimensions
  • Height: 332mm
  • Width: 249mm
Production typeUnique
Marks and inscriptions
  • "La bien aimee / Galopp" (Textual information; French; Lower left hand corner; Handwriting; Watercolour)
    Translation
    The Beloved One
  • "George Kirsta / 1937" (Signature; date; Lower right hand corner; Handwriting; Watercolour)
  • Annotation (Textual information; Russian; Cyrillic; Reverse; Handwriting; Pencil)
  • "Appelyard (Carnaval) / 80" (Textual information; Reverse; Handwriting; Pencil)
Credit line
Cyril W. Beaumont Bequest
Object history
This costume was designed by George Kirsta for a dancer in the Carnival (Galop) in Bronislava Nijinska's ballet "The Beloved One" which she mounted for the Markova-Dolin Ballet in 1937 (she had choreographed the ballet for the Ida Rubinstein company in 1928). The design came to the Museum as part of the Cyril Beaumont Bequest and was probably acquired by him as illustration for his various publications on design for the ballet - of the seventeen costume designs for this ballet in his collection two and one set design were reproduced in Beaumont's "Design for the Ballet".
Subject depicted
Collection
Accession number
S.195-2000

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Record createdDecember 19, 2000
Record URL
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