Two designs for rococo chandeliers which appeared as plate no.153 in The Gentleman and Cabinet-Maker's Director (1762 ed.), in pen and ink and wash, ca.1753-1762, Thomas Chippendale
Design
ca.1753-1762 (designed)
ca.1753-1762 (designed)
Artist/Maker | |
Place of origin |
These designs for lanterns by Thomas Chippendale are the original designs for plate no.153 in The Gentleman and Cabinet-Maker's Director (1762 ed.). The designs demonstrate the popular and flamboyant rococo style which, inspired by French precedents, became fashionable in Britain from the first half of the 18th century. The rococo was characterised by curved, scrolling forms and natural imagery. The designs were engraved for the Director by the engraver W. Foster, whose name is visible on the plate but not on these designs.
Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906.
Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906.
Object details
Categories | |
Object type | |
Title | Two designs for rococo chandeliers which appeared as plate no.153 in The Gentleman and Cabinet-Maker's Director (1762 ed.), in pen and ink and wash, ca.1753-1762, Thomas Chippendale (generic title) |
Materials and techniques | Pen and ink and wash on paper |
Brief description | Two designs for rococo chandeliers, engraved and published in the Director (1762 ed.), pen and ink and wash on paper, ca.1753-1762, Thomas Chippendale |
Physical description | Two lantern designs, the left hand one large and hexagonal with ornate rococo foliate edging and a dragon sitting on the bottom central boss; the right hand one drop-shaped with six panes and the candle bracket inside the base of the drop. The left-hand design has an outline plan view drawn. |
Dimensions |
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Style | |
Production type | Design |
Marks and inscriptions |
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Object history | This design came to the museum with a collection of single designs by Matthias Lock. They were bought from a descendant, George Lock, and had been exhibited by him at the International Exhibition held at South Kensington in 1862. The mixed nature of this Lock and Chippendale material has helped to fuel the idea that the two collaborated professionally. It has even been suggested that Lock ‘ghost’ designed for Chippendale, but it now seems more likely that he provided piece-work carving for Chippendale’s larger projects. |
Historical context | This design appeared as Plate 153 in the third edition of Chippendale's pattern-book The Gentleman and Cabinet-Maker's Director. |
Subject depicted | |
Summary | These designs for lanterns by Thomas Chippendale are the original designs for plate no.153 in The Gentleman and Cabinet-Maker's Director (1762 ed.). The designs demonstrate the popular and flamboyant rococo style which, inspired by French precedents, became fashionable in Britain from the first half of the 18th century. The rococo was characterised by curved, scrolling forms and natural imagery. The designs were engraved for the Director by the engraver W. Foster, whose name is visible on the plate but not on these designs. Thomas Chippendale was a fashionable designer and cabinet-maker in the eighteenth-century, providing furniture to such famous contemporary figures as David Garrick. His company produced high-quality furniture, including some key masterpieces, but Chippendale's outstanding skill was in design. His pattern-book The Gentleman and Cabinet-Maker's Director went through three editions in the 1750s and 60s and inspired trade catalogues and pattern-books from fellow designers. Usually produced by architects, a large, elegant pattern-book was an ambitious project for a craftsman at this time. The Director showed the full range of furniture available in the eighteenth century, and the range of styles that were fashionable. Chippendale created a trademark fusion of rococo style with Chinese and gothic elements, which was the basis of 'English' rococo. His style influenced furniture design in contemporary Europe and colonial America, and had a marked Victorian revival in England. The Director designs were the main source for Chippendale's high reputation until his furniture was first identified in 1906. |
Bibliographic reference | The Gentleman and Cabinet Maker's Director, 1762, pl.153 |
Collection | |
Accession number | 2608 |
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Record created | June 30, 2009 |
Record URL |
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