Amsterdam Suite A
Print
1977 (made)
1977 (made)
Artist/Maker | |
Place of origin |
Cohen trained as a painter and represented Britain at the 1966 Venice Biennale. In 1968 he became a visiting professor at the University of California at San Diego, where he was introduced to computer programming. In 1971 Cohen took up a post as visiting scholar in the Artificial Intelligence Laboratory at Stanford University. While at the Artificial Intelligence Lab, he began developing a computer program called Aaron, in which he sought to codify the act of drawing.
This is one of a series of prints that Cohen created for a one-man show at the Stedelijk Museum in Amsterdam in 1977-8. At the time, his Aaron computer program was only able to produce monochrome line-drawings. However, the V&A also holds a hand-coloured drawing of the same image, dated 1982 (E.327-2009). According to the artist, the image created in 1977 was subsequently hand-coloured, then signed and dated by him in 1982.
In the exhibition, Cohen also exhibited his "turtle", a computer-controlled drawing device that moved around on top of a large sheet of paper. The "turtle" was popular with museum visitors, but Cohen decided to retire it soon afterwards.
This is one of a series of prints that Cohen created for a one-man show at the Stedelijk Museum in Amsterdam in 1977-8. At the time, his Aaron computer program was only able to produce monochrome line-drawings. However, the V&A also holds a hand-coloured drawing of the same image, dated 1982 (E.327-2009). According to the artist, the image created in 1977 was subsequently hand-coloured, then signed and dated by him in 1982.
In the exhibition, Cohen also exhibited his "turtle", a computer-controlled drawing device that moved around on top of a large sheet of paper. The "turtle" was popular with museum visitors, but Cohen decided to retire it soon afterwards.
Object details
Categories | |
Object type | |
Title | Amsterdam Suite A (assigned by artist) |
Materials and techniques | Lithograph, from a computer-generated drawing |
Brief description | Lithograph, 'Amsterdam Suite A', edition 75/75, by Harold Cohen, 1977. |
Physical description | Lithograph on paper, from a computer-generated drawing. |
Dimensions |
|
Copy number | 75 of 75 |
Marks and inscriptions |
|
Credit line | Given by Harold Cohen |
Summary | Cohen trained as a painter and represented Britain at the 1966 Venice Biennale. In 1968 he became a visiting professor at the University of California at San Diego, where he was introduced to computer programming. In 1971 Cohen took up a post as visiting scholar in the Artificial Intelligence Laboratory at Stanford University. While at the Artificial Intelligence Lab, he began developing a computer program called Aaron, in which he sought to codify the act of drawing. This is one of a series of prints that Cohen created for a one-man show at the Stedelijk Museum in Amsterdam in 1977-8. At the time, his Aaron computer program was only able to produce monochrome line-drawings. However, the V&A also holds a hand-coloured drawing of the same image, dated 1982 (E.327-2009). According to the artist, the image created in 1977 was subsequently hand-coloured, then signed and dated by him in 1982. In the exhibition, Cohen also exhibited his "turtle", a computer-controlled drawing device that moved around on top of a large sheet of paper. The "turtle" was popular with museum visitors, but Cohen decided to retire it soon afterwards. |
Associated object | E.327-2009 (Source) |
Bibliographic reference | Harold Cohen. Amsterdam : Stedelijk Museum, 1977. Catalogue of an exhibition held at the Stedelijk Museum from 22/11/1977 to 8/1/1978. |
Collection | |
Accession number | E.328-2009 |
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Record created | June 30, 2009 |
Record URL |
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