On display
Image of Gallery in South Kensington

Dish

1690-1720 (made)
Artist/Maker
Place of origin

This large dish is an example of the type of porcelain made in late 17th to early 18th-century Japan for export to Europe. The areas of dark blue were achieved by painting with cobalt oxide under a clear glaze and firing to a high temperature in a reducing atmosphere - one in which the kiln is starved of oxygen so that the burning fuel draws chemically bonded oxygen from the reactive parts of the ceramic material, leaving them in a reduced state and changing their colour. The gold, red and other enamel colours were applied and fused on in subsequent, low-temperature firings. The distinctive so-called Imari-style colour scheme was much copied by 18th-century European manufacturers. The term Imari comes from the name of the port in western Japan through which this and other products of the nearby Arita kilns were shipped. Porcelains for export were sent to Nagasaki and then shipped abroad by Chinese and Dutch merchants, the Dutch, who were based on the island of Dejima, being the only Europeans permitted to conduct trade in Japan at this time.

Object details

Categories
Object type
Materials and techniques
Porcelain painted in underglaze blue, overglaze enamels, and gold
Brief description
Dish or charger, porcelain, painted in underglaze blue, iron-red and gold; Japan, Arita kilns (Imari type), Edo period, 1690-1720
Physical description
Large dish with cavetto decorated with a basket containing flowers, the broad rim being divided into four sections with circular and lozenze-shaped cartouches painted with cranes, the areas between painted with scrolling flowers.
Dimensions
  • Diameter: 55.2cm
Styles
Object history
Purchased from a source not recorded in the Asia Department registers, accessioned in 1860. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subjects depicted
Summary
This large dish is an example of the type of porcelain made in late 17th to early 18th-century Japan for export to Europe. The areas of dark blue were achieved by painting with cobalt oxide under a clear glaze and firing to a high temperature in a reducing atmosphere - one in which the kiln is starved of oxygen so that the burning fuel draws chemically bonded oxygen from the reactive parts of the ceramic material, leaving them in a reduced state and changing their colour. The gold, red and other enamel colours were applied and fused on in subsequent, low-temperature firings. The distinctive so-called Imari-style colour scheme was much copied by 18th-century European manufacturers. The term Imari comes from the name of the port in western Japan through which this and other products of the nearby Arita kilns were shipped. Porcelains for export were sent to Nagasaki and then shipped abroad by Chinese and Dutch merchants, the Dutch, who were based on the island of Dejima, being the only Europeans permitted to conduct trade in Japan at this time.
Collection
Accession number
6786-1860

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Record createdJune 25, 2009
Record URL
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