Vase
1690-1720 (made)
| Artist/Maker | |
| Place of origin |
This vase is one of five forming a garniture de cheminée, an unevenly numbered set of three, five or seven vases decorated en suite, and designed for the export market. They were usually placed together on the top of chimney mantels. Sometimes, especially in the Netherlands, they were placed on top of large cupboards. This set is unusual in that all five pieces are of the same shape rather than being a combination of two different forms. The decoration is in the Imari-style palette of underglaze blue, iron-red, green, purple, yellow and black, with a lavish use of gold. The painters have carefully balanced the bold ground with the finely painted landscapes in the reserves.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Porcelain painted in underglaze blue, overglaze enamels, and gold |
| Brief description | Vase of beaker-type, porcelain, painted in the Imari-style palette, Arita, Japan, 1690-1720 |
| Physical description | Vase, beaker-type, porcelain of elongated ovoid shape with flaring neck, painted in the imari palette of underglaze blue with iron-red, green, purple, yellow and black enamel with details in gold. The dense decoration includes panels of fan-shaped reserves and ribbon motifs with landscapes and floral studies. |
| Dimensions |
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| Styles | |
| Credit line | Salting Bequest |
| Object history | Bequeathed by Mr. George Salting, accessioned in 1910. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. |
| Summary | This vase is one of five forming a garniture de cheminée, an unevenly numbered set of three, five or seven vases decorated en suite, and designed for the export market. They were usually placed together on the top of chimney mantels. Sometimes, especially in the Netherlands, they were placed on top of large cupboards. This set is unusual in that all five pieces are of the same shape rather than being a combination of two different forms. The decoration is in the Imari-style palette of underglaze blue, iron-red, green, purple, yellow and black, with a lavish use of gold. The painters have carefully balanced the bold ground with the finely painted landscapes in the reserves. |
| Collection | |
| Accession number | C.1512-1910 |
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| Record created | June 25, 2009 |
| Record URL |
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