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Set design
  • Set design
    Stanfield, Clarkson RA, born 1793 - died 1867
  • Enlarge image

Set design

  • Date:

    1842 (painted)

  • Artist/Maker:

    Stanfield, Clarkson RA, born 1793 - died 1867 (theatre designer)

  • Materials and Techniques:

    Water-colour and gouache over pencil on card

  • Credit Line:

    Acquired from the Bagshawe Estate

  • Museum number:


  • Gallery location:

    In Storage

Physical description

Design for a cut and profile border for Acis and Galatea, showing overhanging vines. Painted in brown, green and pink watercolour and gouache. Scaled across the upper edge by Clarkson Stanfield to 48 feet wide using a 1 : 24 scale, figured from the left up to 28ft, then with marks only. Vertcial lines are drawn at 0, 14ft, 28ft and 48ft.


1842 (painted)


Stanfield, Clarkson RA, born 1793 - died 1867 (theatre designer)

Materials and Techniques

Water-colour and gouache over pencil on card


Height: 180 mm, Width: 630 mm

Object history note

Clarkson Stanfield had two children by his first marriage and ten by his second to Rebecca Adcock (d.1876). The theatre designs, S.13 - S.99-2000, and other Stanfield studio residue passed to the oldest surviving son of the second marriage, George Clarkson Stanfield (1828-78), also a painter. He died of liver disease at the Hampstead home of his sister, Harriet Thesesa (1837-1911). In 1861 Harriet had married William Henry Gunning Bagshaw (1825-1901), a barrister, QC and judge, and the couple had a large family, of whom the fifth child, Joseph John Richard Bagshawe (1870-1909), was also a professional artist. Joseph married in 1901 and had two sons, Edward and K.G.R., the latter becoming a solicitor in the firm of Seaton, Gray, Bell and Bagshawe at Whitby. The collection of Clarkson Stanfield designs (S.13 - S.99-2000) was discovered in K.G.R. Bagshawe's attic on the latter's death. It had presumably been left with his grandmother, Harriet, on George Stanfield's death and been passed down through the family. K.G.R.'s daughter, Susie, took the designs to Christie's for a probate valuation, and Christie's alerted Dr Pieter van der Merwe of the National Maritime Museum, an acknowledged expect on Clarkson Stanfield. Dr van der Merwe then contacted the Theatre Museum. The collection comprises working designs and model pieces made in the Drury Lane scene room from the mid-1820s to the mid-1840s.

This design was made for George Frideric Handel's serenata, Acis and Galatea, staged by William Charles Macready at Drury Lane Theatre, 5 February 1842, and is intended for Scene 2, 'View from a Vineyard Looking into a Valley, Aetna in the Distance'. The production was restaged by George Vining at the Princess's Theatre on 2 August 1869, using the same designs which were lent by Clarkson Stanfield's family.

Descriptive line

Design by Clarkson Stanfield for a cut and profile border for scene ii of Acis and Galatea, Drury Lane Theatre, 1842


Water-colour; Gouache; Pencil; Card


Painting; Drawing (image-making)

Production Type



Theatre and Performance Collection

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