Clarkson Stanfield design
Set Design
mid 19th century (drawn)
mid 19th century (drawn)
Artist/Maker | |
Place of origin |
Design for a profile ground row setting piece, showing, to left, the receding frontage of a classical palace or temple built over arches through which water falls down to a river flowing upstage at right and, to right, on the opposite bank, a group of palms, drawn in brown ink, some lines ruled. On the reverse are rough diagrams showing the construction of the setting piece, in the form of four rectangular panels of varying size in ink, inscribed, from left, 'Single', 'Double Canvas' 'Double Canvas' and 'Single' with, above them to left and right, the words 'Profile' 'Profile' marked on the upper profile edges, the annotations in ink and in Clarkson Stanfield's hand.
Object details
Categories | |
Object type | |
Title | Clarkson Stanfield design (generic title) |
Materials and techniques | Pen and ink and pencil on card |
Brief description | Design by Clarkson Stanfield for a profile ground row setting piece of a classical scene. Mid 19th century |
Physical description | Design for a profile ground row setting piece, showing, to left, the receding frontage of a classical palace or temple built over arches through which water falls down to a river flowing upstage at right and, to right, on the opposite bank, a group of palms, drawn in brown ink, some lines ruled. On the reverse are rough diagrams showing the construction of the setting piece, in the form of four rectangular panels of varying size in ink, inscribed, from left, 'Single', 'Double Canvas' 'Double Canvas' and 'Single' with, above them to left and right, the words 'Profile' 'Profile' marked on the upper profile edges, the annotations in ink and in Clarkson Stanfield's hand. |
Dimensions |
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Production type | Unique |
Marks and inscriptions | 'Profile Profile / 'Single Double Canvas Double Canvas Single' (Textual information; Reverse; Handwriting; Ink; Stanfield, Clarkson Frederick (R.A.)) |
Credit line | Acquired from the Bagshawe Estate |
Object history | Clarkson Stanfield had two children by his first marriage and ten by his second to Rebecca Adcock (d.1876). The theatre designs, S.13 - S.99-2000, and other Stanfield studio residue passed to the oldest surviving son of the second marriage, George Clarkson Stanfield (1828-78), also a painter. He died of liver disease at the Hampstead home of his sister, Harriet Thesesa (1837-1911). In 1861 Harriet had married William Henry Gunning Bagshaw (1825-1901), a barrister, QC and judge, and the couple had a large family, of whom the fifth child, Joseph John Richard Bagshawe (1870-1909), was also a professional artist. Joseph married in 1901 and had two sons, Edward and K.G.R., the latter becoming a solicitor in the firm of Seaton, Gray, Bell and Bagshawe at Whitby. The collection of Clarkson Stanfield designs (S.13 - S.99-2000) was discovered in K.G.R. Bagshawe's attic on the latter's death. It had presumably been left with his grandmother, Harriet, on George Stanfield's death and been passed down through the family. K.G.R.'s daughter, Susie, took the designs to Christie's for a probate valuation, and Christie's alerted Dr Pieter van der Merwe of the National Maritime Museum, an acknowledged expert on Clarkson Stanfield. Dr van der Merwe then contacted the Theatre Museum. The collection comprises working designs and model pieces made in the Drury Lane scene room from the mid-1820s to the mid-1840s. |
Collection | |
Accession number | S.44-2000 |
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Record created | September 19, 2000 |
Record URL |
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