Hugh Stevenson design
Costume Design
1950 (painted)
1950 (painted)
Artist/Maker | |
Place of origin |
Costume design by Hugh Stevenson for Emilia in Othello, showing full length female figure wearing Elizabethan square necked dress in carmine vermilion, the neck edged in black set with ochre, with puffed upper sleeves in white banded in mauve set with a central blue stripe, pink blue lower sleeves with grey bands at the wrists. The skirt ispulled back onto the hips to reveal the pink blue petticoat banded with grey at the hem. The shoes are red purple and on the head is a blue decoration. The design is inscribed with the name of the play and the role and is signed and dated.
The ochre paint is used to indicate gold braid or metal.
The ochre paint is used to indicate gold braid or metal.
Object details
Categories | |
Object type | |
Title | Hugh Stevenson design (generic title) |
Materials and techniques | Pencil and gouache on paper |
Brief description | Costume design by Hugh Stevenson for Emilia in Othello in a programme of scenes from Shakespeare, British Council tour, early 1950s |
Physical description | Costume design by Hugh Stevenson for Emilia in Othello, showing full length female figure wearing Elizabethan square necked dress in carmine vermilion, the neck edged in black set with ochre, with puffed upper sleeves in white banded in mauve set with a central blue stripe, pink blue lower sleeves with grey bands at the wrists. The skirt ispulled back onto the hips to reveal the pink blue petticoat banded with grey at the hem. The shoes are red purple and on the head is a blue decoration. The design is inscribed with the name of the play and the role and is signed and dated. The ochre paint is used to indicate gold braid or metal. |
Dimensions |
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Style | |
Production type | Unique |
Marks and inscriptions |
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Credit line | Cyril W. Beaumont Bequest |
Object history | This is one of 25 designs by Hugh Stevenson for a programme of excerpts from Shakespeare devised for a British Council tour in the early 1950s. It was performed by a small company led by Walter Fitzgerald and called for costumes that would clearly indicate the different characters while allowing for quick changes. This Stevenson achieved by creating a basic costume in the Elizabethan style for each actor to which were added robes, tunics, overdresses or accessories. The designs are part of the collection that came to the Museum from the dance historian and publisher Cyril Beaumont and may originally have formed part of the London Archives of the Dance. Historical significance: A group of designs showing how a designer solves the problem of creating costumes for a programme of extracts from various Shakespeare plays (which means allowing for quick changes), by creating several basic costumes which can be adapted, or to which accessories can be added, to indicate specific characters |
Subject depicted | |
Literary reference | Othello |
Collection | |
Accession number | S.170:1-2000 |
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Record created | September 14, 2000 |
Record URL |
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