Not currently on display at the V&A

Hugh Stevenson design

Costume Design
1950 (painted)
Artist/Maker
Place of origin

Costume design by Hugh Stevenson for the Doctor in Macbeth, showing a full-front full-length male figure, head turned to right, wearing a swirling, all-concealing blue black cloak beneath which can be seen a blue frilled left cuff and a blue collar band with frill. The bearded and spectacled head is covered with a close fitting doctor's cap.The design is inscribed with the name of the role and the actor.


Object details

Categories
Object type
TitleHugh Stevenson design (generic title)
Materials and techniques
Pencil and gouache on paper
Brief description
Costume design by Hugh Stevenson for the Doctor in Macbeth in a programme of scenes from Shakespeare, British Council tour, early 1950s
Physical description
Costume design by Hugh Stevenson for the Doctor in Macbeth, showing a full-front full-length male figure, head turned to right, wearing a swirling, all-concealing blue black cloak beneath which can be seen a blue frilled left cuff and a blue collar band with frill. The bearded and spectacled head is covered with a close fitting doctor's cap.The design is inscribed with the name of the role and the actor.
Dimensions
  • Height: 558mm
  • Width: 380mm
Style
Production typeUnique
Marks and inscriptions
  • 'Macbeth. / Doctor. / Jonathan / Meddings' (Textual information; Upper right hand corner; Handwriting; Pencil)
  • 'velvet bodice & skirt. / taffeta sleeves & / petticoat. / Silk or thin taffeta / head drapery.' (Textual information; Upper left hand corner; Handwriting; Pencil)
Credit line
Cyril W. Beaumont Bequest
Object history
This is one of 25 designs by Hugh Stevenson for a programme of excerpts from Shakespeare devised for a tour of Italy (possibly under the British Council) in the early 1950s. It was performed by a small company led by Walter Fitzgerald and called for costumes that would clearly indicate the different characters while allowing for quick changes. This Stevenson achieved by creating a basic costume in the Elizabethan style for each actor to which were added robes, tunics, overdresses or accessories.
The designs are part of the collection that came to the Museum from the dance historian and publisher Cyril Beaumont and may originally have formed part of the London Archives of the Dance.

Historical significance: A group of designs showing how a designer solves the problem of creating costumes for a programme of extracts from various Shakespeare plays (which means allowing for quick changes), by creating several basic costumes which can be adapted, or to which accessories can be added, to indicate specific characters
Subject depicted
Literary referenceMacbeth
Collection
Accession number
S.154-2000

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Record createdSeptember 13, 2000
Record URL
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