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Theatre costume

Theatre costume

  • Place of origin:

    England, Great Britain (made)

  • Date:

    1975 (designed)

  • Artist/Maker:

    Walker, David (Costume designer)

  • Materials and Techniques:

    Synthetic chiffon, lace, net, gold mesh, braid, gold paint

  • Credit Line:

    Given by English National Opera

  • Museum number:

    S.263-1999

  • Gallery location:

    In Storage

  • Image in copyright

Richard Strauss's opera Der Rosenkavalier, in style and manners, is firmly set in the 18th century and does not allow of radical reinterpretation. Many designers base their concepts on the original 1911 production, designed by Alfred Roller, although David Walker, in designing the opera for English National Opera in 1975, found Roller's work a little vulgar, while describing his own work as 'a bit like Harrod's best.' There was a handsome over- sumptuousness about Walker's costumes that married well with the sheer welter of words and notes that characterise the opera.

On the dummy on which this costume for Sophie was made, Walker pinned a postcard of his inspiration for the dress - Boucher's painting of the Marquise de Pompadour in the Wallace Collection. Although the white and silver fabric of Sophie's dress is ornately encrusted down the front with frills and flower and foliage trims, they never threaten to overpower the basic innocence and simplicity of the character.

Physical description

White 18th century style dress overlaid with silver lace and richly decorated with white lace and artificial flowers

Place of Origin

England, Great Britain (made)

Date

1975 (designed)

Artist/maker

Walker, David (Costume designer)

Materials and Techniques

Synthetic chiffon, lace, net, gold mesh, braid, gold paint

Object history note

The costume was designed by David Walker for Sophie in Richard Strauss' opera Der Rosenkavalier, English National Opera, 1975.

Historical significance: A fine example of theatre costume making from the 1970s, showing how period costume can be at once a reflection of historical understand and theatrical effectiveness, so that it is recognisable as period costume but, in its cut and use of materials, obvious as a creation of its time.

Materials

Lace; Braid; Gold paint; Nylon net; Synthetic chiffon; Gold mesh

Techniques

Painting; Sewing

Categories

Entertainment & Leisure; Stage costumes

Collection code

T&P

Qr_O47700
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