Coat
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- Materials and Techniques:
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When acquired by the Museum in 1905, this woman's marriage coat was described as a Gilyak coat from the lower Amur River near Vladivostok in Eastern Siberia, and a note added that 'The tribe who make this work is said to be dying out.'
Sixty Pacific salmon, each weighing between 6.8 and 9kg (15 to 20 pounds), were used to make this coat. Their skins have been sewn together with sinew, using the natural shape of the fish to create a subtle decorative pattern of seams. The front of the coat is plain but the upper back is made from a patchwork of overlapping, scale-like panels each decorated with applied skin. The smooth inner side of the salmon skin has been used for the applique and has been painted red, black or blue and been stitched in place using coloured silk. The coat is unlined and has no fastenings, suggesting that it was unused when acquired by the Museum. Similar garments in other collections often have three metal buttons which fasten into leather loops and sometimes thay are lined with cotton.
The skins of animals and fish make effective wind- and rain-proof garments which can be vital to human beings who live in dangerously cold environments. They are also an effective and inventive use of natural resources.
Physical description
A woman's marriage coat of Pacific salmon skin. It was made from the skins of about 60 salmon (each estimated to have weighed between 15 and 20 pounds) sewn together with sinew using the natural shape of the fish as a decorative element. The upper part of the back is decorated by painting (blue, red or black) the inner side of the fish skin (fish-scale shaped pieces) and sewing these small panels down with coloured silk (orange-red, grey-green, dark blue and green). The applied motifs may represent animals faces. The silk was also used to give embroidered outlines to the applied decorative motifs on the lowest set of scale shapes.
From the hem upwards on each side of the garment is a black applied and painted wavy panel with a central stripe picked out in a green-blue colour. This panel ends with a finial ornament of a scrolling design with beast faces. The blue bands applied across the shoulders and from shoulder to underarm have two hard, raised ridges which form part of the decoration. A black painted border edges the neck, front overlap panel, hem and sleeves. The outer front panel overlaps the under one from left to right. The coat is unlined and has no fastenings but similar garments in collections in Eastern Europe frequently have cotton linings and three copper or brass buttons, round or flat in shape and possibly of Chinese origin, which fasten into leather loops. (Information provided by personal communications with Natalia Kalashnikova of the Russian Ethnographic Collection in St Petersburg, Vera Kobko of the Pacific Institute in Vladivostok and Christine Hemmet of the Musee de L'Homme, Paris in 1998). This coat may have been unfinished and unused when acquired. The underneath panel is finished with a turned in and stuck hem. The neck edge is turned in and stitched. The hem, sleeve ends and edge of the outer fron panel are finished with a cut edge.
Pigment analysis (1998): the blue pigment is probably indigo; the orange-red pigment is a natural earth pigment or ochre; the black is probably a carbon black; the green-blue is probably indigo mixed with another pigment, possibly Dyers Knotgrass.
Dye analysis (1998): orange-red is likely to be safflower (Carthamus tinctorius L); grey-green is likely to be knotgrass (Polygonum tinctorum L); dark blue is likely to be knotgrass (P. tinctorum); strong green is likely to be knotgrass (P. tinctorum) plus a natural yellow mordant dye.
Place of Origin
Siberia, Russia (made)
Date
ca. 1900 (made)
Artist/maker
Unknown (production)
Materials and Techniques
Sewn salmon skin
Dimensions
Length: 101 cm nape to hem, Width: 145 cm across shoulder, from sleeve edge to sleeve edge
Historical context note
There is a museum devoted to this craft : http://www.amur-art-museum.de/
Descriptive line
Coat, made from 60 salmon skins, ca.1900, Siberian
Bibliographic References (Citation, Note/Abstract, NAL no)
Crill, Rosemary, Jennifer Wearden and Verity Wilson. Dress in Detail from Around the World. London: V&A Publications, 2002. 224 p., ill. ISBN 09781851773787. p. 128
Production Note
When acquired it was described as a Gilyak coat from the lower Amur River near Vladivostok in Eastern Siberia.
Note from the file: 'The tribe who make this work is said to be dying out.'
The Amur basin is close to the island of Sakhalin, the northernmost region of Japan which was inhabited by the Ainu people. Decorative elements on the coat have much in common with decorative motifs used by the Ainu.
Materials
Salmon skin
Techniques
Painting; Sewing; Appliqué
Categories
Textiles; Clothing; Embroidery; Marriage; Folk Art
Collection code
T&F
