Hanging
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Red wool baize, backed with cream coloured cotton and bound on one side with green woollen cloth, appliquéd with shaped pieces of cotton and woollen cloth, white gimp and copper sequins, with details painted in Indian ink and watercolour; brass rings for hanging
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This is an example of a Burmese pictorial textile hanging known as a kalaga. The owner would have used it as a decorative wall hanging, a room partition, or as a screen hung outside the house on festive occasions. Though it is not clear to researchers yet, the artist has drawn on either Burmese legends or the Jataka stories, which chronicle the Buddha’s former lives, for his subject. The appliqué design on red wool ground is worked in partly painted, shaped coloured fabrics and sequins. The costumes of the figures themselves are depicted in the stylised tradition of Burmese theatre, and relate to the fashions worn in the Mandalay court of about 1880.
Kalagas were increasingly popular in the mid 19th century. This example, however, is unique in that it refers to a hanging (seen above the dancer and seated woman) with an abstract design. Similar abstract designs can be found in early 19th-century wall paintings and court manuscripts, suggesting that earlier kalagas may well have been abstract and not pictorial in design.
Physical description
The design shows courtly scenes thought to represent one of the Jatakas or from Burmese legend (still to be identified) with the figures richly dressed in sequined coats with pasos or htameins of simulated luntaya cloth representing the styles of the Konbaung Dynasty (1752-1885). On the left is a court scene with a reclining princely figure in conference with two seated ministers. The pavilion is decorated with crystal chandeliers and four royal umbrellas. In the centre, a princely figure accompanied by an official stands in a rocky glade. Behind them a male dancer with a headdress entertains three ladies and two noblemen.
The multiple border is formed of continuous leafy and interlacing patterns interspersed with kinnaras and men on hobby horses, enclosed in rectangular panels.
Red wool baize bound on one of the long sides with green woollen cloth. Series of brass rings for hanging. Backed with with cream coloured cotton. The applique is executed in shaped pieces of prepared cottons of various tints, coloured woollen fabrics, white fabrics, white gimp and copper sequins. Certain of the supplementary details are painted in Indian ink and water colours.
Place of Origin
Burma (made)
Date
late 19th century (made)
Artist/maker
unknown (production)
Materials and Techniques
Red wool baize, backed with cream coloured cotton and bound on one side with green woollen cloth, appliquéd with shaped pieces of cotton and woollen cloth, white gimp and copper sequins, with details painted in Indian ink and watercolour; brass rings for hanging
Dimensions
Length: 335.5 cm, Width: 152.5 cm
Object history note
A "modern" westernising touch is seen in the crystal chandeliers under gas lamps.
Historical significance: This kalaga is unique in that the makers have included a picture of a hanging with an older design (it is located above the dancer and the seated lady) which was fashionable from the early 1820s to the mid 1850s.The pattern which consists of horn or beak-like motifs, can be seen in paintings of kalagas which appear in Burmese court manuscripts and early wall paintings. (Inf. from Noel F. Singer June 2002)
Descriptive line
Embroidered kalaga (Burmese hanging). Red wool baize with an applique design showing scenes from an unidentified Jataka story or Burmese legend within deep foliate and figurtive borders, of coloured cloth (partly painted) and silver-gilt sequins. ca. late 19th century.
Production Note
Attribution note: This kalaga was probably made in the same late 19th century workshop and the designs created by the same artist as IS 2-1963; IS 44-1967; IS 3-1963; IM 47-1925; IS 1-1963; IM 159-1924.
Although the familiar design of men with hobby horses amidst curling foliage is still being used, two panels at the top and bottom have the additional figures of a kinnari.
Materials
Cotton; Paint; Wool; Copper; Sequins
Techniques
Weaving; Painting; Appliqué; Metal
Collection code
IND
