pilgrim's flask thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

pilgrim's flask

Pilgrim's Flask
late 19th century (made)
Artist/Maker
Place of origin

The vase has a circular flat-sided body on a flared foot, a short tubular neck with two looped handles either side and a bulbous mouth on top. It is mainly painted in turquoise blue (copper) with some outer decoration in a darker blue (cobalt) against a white ground with touches of manganese purple in the floral detailing all under a transparent vitreous glaze. The painted decoration is repeated on both sides with a central stylised floral design encircled by a band S stylised acanthus leaves and an outer concentric bans of petal motifs. The foot is also decorated with an acanthus design. The perimeter has a design of quatrefoils linked by pairs of curving leaf forms which are repeated at the mouth.


Object details

Category
Object type
Titlepilgrim's flask (generic title)
Materials and techniques
fritware
Brief description
Ritual, earthenware, glazed, Jaipur Rajasthan, C19
Physical description
The vase has a circular flat-sided body on a flared foot, a short tubular neck with two looped handles either side and a bulbous mouth on top. It is mainly painted in turquoise blue (copper) with some outer decoration in a darker blue (cobalt) against a white ground with touches of manganese purple in the floral detailing all under a transparent vitreous glaze. The painted decoration is repeated on both sides with a central stylised floral design encircled by a band S stylised acanthus leaves and an outer concentric bans of petal motifs. The foot is also decorated with an acanthus design. The perimeter has a design of quatrefoils linked by pairs of curving leaf forms which are repeated at the mouth.
Dimensions
  • Height: 32.2cm
  • Diameter: 22.9cm
  • Width: 7.6cm
Style
Credit line
Given by the Imperial Institute
Historical context
Jeypore School of Art produced pottery in the late 19th century after one of the pupils of Bhola, who was a chief artist of Delhi fritware, introduced the technique. As the pieces are made of a mixture of feldspar and starch they cannot be thrown on a wheel but were either raised by hand or in a mould. See Watt, Sir George,Indian Art at Delhi: being the Official Catalogue of the Delhi Exhibition, 1902-03, Calcutta, n.d, p.90.
Collection
Accession number
IM.77-1926

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Record createdJune 25, 2009
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