Not currently on display at the V&A

Painting

ca. 1960 (made)
Artist/Maker
Place of origin

Painting, in opaque watercolour on paper, a modern copy of IS.77-1963, a noble and lady playing chaupar in a palace room. The colours used are described by the artist as follows: blue (nil), mixed with white and black to form kabutriya used for the sky, mauve (mathia) formed by the addition of red to kabutriya, green (mungia) 'shade of pulse', red (sinduri), red lead, crimson (alta), lac-colour, used on the stand supporting the waterpots, also known as khatmal ka khon ('blood of bad bug') or khon kharaba ('bad blood'), yellow synthetic gaugali, also called harchandi 'tilak of Hari', flesh colour (gorarang).


Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour on paper
Brief description
Painting, noble and lady playing chaupar, modern copy of IS.77-1963, by Badri Lal Chitraker, opaque watercolour on paper, Mewar, ca. 1960
Physical description
Painting, in opaque watercolour on paper, a modern copy of IS.77-1963, a noble and lady playing chaupar in a palace room. The colours used are described by the artist as follows: blue (nil), mixed with white and black to form kabutriya used for the sky, mauve (mathia) formed by the addition of red to kabutriya, green (mungia) 'shade of pulse', red (sinduri), red lead, crimson (alta), lac-colour, used on the stand supporting the waterpots, also known as khatmal ka khon ('blood of bad bug') or khon kharaba ('bad blood'), yellow synthetic gaugali, also called harchandi 'tilak of Hari', flesh colour (gorarang).
Dimensions
  • Height: 261mm
  • Width: 175mm
  • Image within innermost painted borders height: 175mm
  • Image within innermost painted borders width: 109mm
05/06/2013 dimensions measured as part of Indian Paintings Cataloguing Project 2013
Content description
A noble and lady playing chaupar in a palace room.
Style
Credit line
Given by R. W. Skelton, 1963.
Production
The artist's family is descended from two brothers, Nana and Chatra who were who were painters living in Udaipur during Shah Jahan's reign. Their sons, Mojiram and Motiram, were also painters, after which the family became goldsmiths. Badri Lal took up painting from the age of 7 years.
Subjects depicted
Associated object
IS.77-1963 (Original)
Collection
Accession number
IS.78-1963

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 25, 2009
Record URL
Download as: JSONIIIF Manifest