Filippo di Matteo Stozzi thumbnail 1
Filippo di Matteo Stozzi thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Cast Courts, Room 46b, The Weston Cast Court

Filippo di Matteo Stozzi

Bust
before 1491 (sculpted), ca. 1864 (cast)
Artist/Maker
Place of origin

This plaster bust of Filippo di Matteo Strozzi is made by Signor Stiattesi after the original marble bust by Benedetto da Maiano that was originally in the Strozzi Chapel, Church of Santa Maria Novella, Florence and is now in the Musée du Louvre, Paris. Filippo Strozzi (1428-91), called Il Vecchio, was a wealthy Florentine banker for whom Benedetto da Maiano executed several commissions, including his funerary monument in Maria Novella (see V&A cast 1866-5, Virgin and Child with a border of Cherubin, for this monument). The cast of the portrait was purchased by the Victoria and Albert Museum in 1864.

Benedetto da Maiano (1442-1497) was a sculptor and wood-carver and the brother of Giuliano da Maiano. He was one of the most accomplished marble-carvers of the 15th century and the foremost sculptor in Florence of the generation following Bernardo Rossellino.

Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.


Object details

Categories
Object type
TitleFilippo di Matteo Stozzi (generic title)
Materials and techniques
Plaster cast
Brief description
Plaster cast, of Filippo di Matteo Strozzi, after the marble originally in the Strozzi Chapel, Church of Santa Maria Novella, Florence (now Musée du Louvre, Paris), by Benedetto da Maiano, before 1491, cast by Signor Stiattesi, Italy (Florence), ca. 1864
Dimensions
  • Height: 53.5cm
  • Width: 57.3cm
Gallery label
The Victorians were fascinated by the intellectuals, statesmen and patrons of the Renaissance. This cast shows a bust of the Florentine banker Filippo Strozzi, whose wealth and influence rivalled the Medici family. Strozzi was Benedetto da Maiano’s most important patron. The artist designed both his palace and his chapel in Florence, where the original marble bust once stood.(2014)
Object history
Purchased from Signor Stiattesi in 1864 for £1 4s (30 francs).
Historical context
Filippo Strozzi (1428-91), called Il Vecchio, was a wealthy Florentine banker for whom Benedetto da Maiano executed several commissions, including his funerary monument in Maria Novella (see V&A cast 1866-5, Virgin and Child with a border of Cherubin, for this monument). The cast of the portrait was purchased by the Victoria and Albert Museum in 1864.
Subject depicted
Summary
This plaster bust of Filippo di Matteo Strozzi is made by Signor Stiattesi after the original marble bust by Benedetto da Maiano that was originally in the Strozzi Chapel, Church of Santa Maria Novella, Florence and is now in the Musée du Louvre, Paris. Filippo Strozzi (1428-91), called Il Vecchio, was a wealthy Florentine banker for whom Benedetto da Maiano executed several commissions, including his funerary monument in Maria Novella (see V&A cast 1866-5, Virgin and Child with a border of Cherubin, for this monument). The cast of the portrait was purchased by the Victoria and Albert Museum in 1864.

Benedetto da Maiano (1442-1497) was a sculptor and wood-carver and the brother of Giuliano da Maiano. He was one of the most accomplished marble-carvers of the 15th century and the foremost sculptor in Florence of the generation following Bernardo Rossellino.

Plaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.
Bibliographic references
  • Boucher, Bruce, and Charlotte Hubbard, 'Afterthoughts on Benedetto da Maiano's bust of Filippo Strozzi', Sculpture Journal, 19.2 (2010), pp. 217-223
  • Boucher, Bruce, (ed.), Earth and Fire, Italian Sculpture from Donatello to Canova New Haven and London, Yale University Press, 2001 pp.142-145
Collection
Accession number
REPRO.1864-15

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Record createdJuly 12, 2000
Record URL
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