Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 23, The Dorothy and Michael Hintze Galleries

An Allegory of Charity

Relief
ca. 1746 (made)
Artist/Maker
Place of origin

This is the model for a marble relief donated in 1746 by Michael Rysbrack to the Foundling Hospital. Established in London by the captain Thomas Coram in 1739, the Foudnling Hospital provided refuge, cared for and educated children abandoned by parents experiencing extreme poverty or other terrible maladies. The painter William Hogarth and the composer George Frideric Handel played an important role in promoting the hopsital, encouraging artists such as Rysbrack to donate their works and making the hospital as a fashionable location in London. Rysbrack was one of a numberof artists with close connections with the charity and was elected a Governor and Guardian of the hospital in 1745. The subject of Rysbrack's relief is appropriate as it depicts an allegorical figure of Charity carrying a child.

The Foundling Hospital still exists and was renamed the Thomas Coram Foundation for Children in 1954.

John Michael Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.


Object details

Categories
Object type
TitleAn Allegory of Charity (generic title)
Materials and techniques
Terracotta painted grey
Brief description
Relief, terracotta, an Allegory of Charity, by John Michael Rysbrack, England, ca. 1746
Physical description
An allegory of Charity in painted terracotta. Charity stands to the left of the centre suckling a child. Another child clutches her robe. To the left of the relief, at the base of a tree, three children are coiling the rope of an anchor, the stern of a ship is visible in the background. In the centre of the relief a kneeling woman milks a cow and to the right two children are gathering sheaves of corn.

There is a vertical crack to the left of centre and other cracks in the bottom right hand corner. The cow's projecting horn is damaged. The relief is painted grey.
Dimensions
  • Height: 67cm
  • Width: 105.2cm
Gallery label
  • John Michael Rysbrack (1694–1770) Model for an allegory of Charity Signed; about 1746 This is the model for a marble relief that Rysbrack donated to the Foundling Hospital in London. The hospital had been set up as a refuge for abandoned children, and many leading artists, including the painter William Hogarth, supported it. Born in Antwerp, Rysbrack settled in London in 1720 and soon became one of the most important sculptors in England. London Painted terracotta in wood frame Purchased in 1756 from the artist by Sir Edward Littleton (about 1727–1812) of Teddesley Hall(2021)
  • This is the model for a marble relief that Rysbrack donated to the Foundling Hospital in London in 1746. The hosptial had been set up as a refuge for abandoned children and was supported by a number of leading artists. In 1745 Rysbrack became a governer and guardian. (13/10/2021)
Object history
Bought from M. Marcussen, for £185, in 1953.

This was the model for the marble relief over a chimneypiece in the Founding Hospital, London.
The model was bought by Sir Edward Littleton and sent to Teddesley Hall, Staffordshire in 1756. In 1759 Rysbrack supplied him with a drawing for a fireplace and frame for the relief. The museum possesses drawings by Rysbrack for a number of chimneypieces at Teddesley Hall, which was demolished in 1954.
Subjects depicted
Summary
This is the model for a marble relief donated in 1746 by Michael Rysbrack to the Foundling Hospital. Established in London by the captain Thomas Coram in 1739, the Foudnling Hospital provided refuge, cared for and educated children abandoned by parents experiencing extreme poverty or other terrible maladies. The painter William Hogarth and the composer George Frideric Handel played an important role in promoting the hopsital, encouraging artists such as Rysbrack to donate their works and making the hospital as a fashionable location in London. Rysbrack was one of a numberof artists with close connections with the charity and was elected a Governor and Guardian of the hospital in 1745. The subject of Rysbrack's relief is appropriate as it depicts an allegorical figure of Charity carrying a child.

The Foundling Hospital still exists and was renamed the Thomas Coram Foundation for Children in 1954.

John Michael Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Bibliographic references
  • Physick, J. Designs for English Sculpture 1680-1860, London, 1969, pp. 101-3
  • Webb, M. Michael Rysbrack Sculptor, London, 1954, p. 135
  • Wimsatt, W. K. The Portraits of Alexander Pope, New Haven and London, 1964, p. 99
  • Whinney, Margaret. English Sculpture : 1720 - 1830 / Victoria and Albert Museum, London, London : Her Majesty's Stationery Office, 1971, pp. 42&44
  • Baker, Malcolm, Figured in Marble. The Making and Viewing of Eighteenth-Century Sculpture, London, 2000, p. 59, fig. 44
  • Bilbey, Diane and Trusted, Marjorie. British Sculpture 1470-2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: Victoria and Albert Museum, 2002, pp. 137, 8, cat.no 189
Collection
Accession number
A.58-1953

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Record createdJune 28, 2000
Record URL
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