Cupids as Caryatids
Relief
ca. 1730 (made)
ca. 1730 (made)
| Artist/Maker | |
| Place of origin |
This terracotta group in high relief is perhaps made by John Michael Rysbrack in ca. 1730 in England.
This terracotta relief - together with its pendant Mus. no. 7718-1863 - were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument.
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
This terracotta relief - together with its pendant Mus. no. 7718-1863 - were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument.
Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right.
Object details
| Category | |
| Object type | |
| Titles |
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| Materials and techniques | Terracotta in high relief |
| Brief description | Relief, terracotta, of two putti supporting an architrave, perhaps by John Michael Rysbrack, England, ca. 1730 |
| Physical description | Terracotta relief made as a sketch for a larger composition in marble, either a doorway or a grand chimney-piece. Two almost naked putti support an architrave, each with one arm raised. There is a pilaster to the left of the putti. |
| Dimensions |
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| Historical context | These terracotta reliefs were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument. |
| Subject depicted | |
| Summary | This terracotta group in high relief is perhaps made by John Michael Rysbrack in ca. 1730 in England. This terracotta relief - together with its pendant Mus. no. 7718-1863 - were made as sketch models for a larger composition in marble, probably used on the entablature of a doorway or chimneypiece; they may also have formed part of the pediment of a monument. Rysbrack (1694-1770) was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right. |
| Associated object | 7718-1863 (Pair) |
| Bibliographic references |
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| Collection | |
| Accession number | 7717-1863 |
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| Record created | June 28, 2000 |
| Record URL |
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