Les choses de Paul Poiret vues par Georges Lepape thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case GG, Shelf 85

Les choses de Paul Poiret vues par Georges Lepape

Fashion Plate
1911 (published)
Artist/Maker
Place of origin

Print: illustration from Les choses de Paul Poiret vues par Georges Lepape (limited edition number 261). Design for a white dress in the 'Hellenic style', signed 'Georges Lepape'.


Object details

Categories
Object type
TitleLes choses de Paul Poiret vues par Georges Lepape (series title)
Materials and techniques
Letterpress, line block and stencil
Brief description
Georges Lepape. Fashion plate from Les choses de Paul Poiret vues par Georges Lepape Paris (France), 1911.
Physical description
Print: illustration from Les choses de Paul Poiret vues par Georges Lepape (limited edition number 261). Design for a white dress in the 'Hellenic style', signed 'Georges Lepape'.
Copy number
261
Object history
This fashion plate by Georges Lepape depicts a woman in a simple, high-waisted white gown by Paul Poiret (1879-1944). Poiret was one of the most influential and notorious designers of the late 1900s/early 1910s. His gowns followed the natural line of a slim, uncorseted body, which is clearly shown in Lepape's illustration, although many women still had to resort to longline corsets to achieve the same effect. Compared to the elaborately detailed and constructed gowns that many fashion designers produced, his designs were audaciously simple and bold, and sometimes quite far-sighted. For example, his 'robe de minute', a gown made of two rectangles of fabric, was created in 1911, ten years before near-identically constructed chemise dresses became widespread (see T.118-1975). Lepape's illustration also shows the model's head simply wrapped in a pink turban, in contrast to the elaborately arranged coiffures that many fashionable women favoured. Decoration is minimal, with a single flower catching the slim skirt in slightly at the knee, and a tasselled girdle at the waist.

Poiret's success was short-lived, as his influence did not last beyond the 1910s. Although he continued designing into the 1920s and created gowns for Liberty's in 1933, he failed to recapture the success and notoriety he had enjoyed in the 1910s.

- Daniel Milford-Cottam, January 2012
Subjects depicted
Bibliographic reference
Taken from Departmental Circulation Registers: 1976-1977
Collection
Accession number
CIRC.261-1976

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 14, 2000
Record URL
Download as: JSON