Reliquary
ca. 1470-1480 (made)
| Artist/Maker | |
| Place of origin |
In the form of a footed and pinnacled shrine, this reliquary once contained relics of St. Catherine of Alexandria. The six letters aroud the middle stand for the Latin for 'Saint Catherine pray for us'. Catherine was venerated throughout Europe, and she was seen as patron and protectress of students, philosophers and the clergy, of the dying, of nurses, and of craftsmen whose work was based on the wheel, like wheelwrights.
The bones associated with the saints and the possessions associated with Christ are known as relics which were kept in containers called reliquaries. In the Middle Ages they were generally believed to have miraculous powers and were greatly venerated. Reliquaries took many forms. Some were shaped to represent the saint or various parts of the body such as an arm, head, leg, foot or finger (so-called 'speaking image' reliquaries). Others were designed as a monstrance, which placed the relic on view inside a glass cylinder (monstrare= to show). Another style of reliquary followed an architectural design, often in the Gothic style. This object is an example of a such a reliquary.
The bones associated with the saints and the possessions associated with Christ are known as relics which were kept in containers called reliquaries. In the Middle Ages they were generally believed to have miraculous powers and were greatly venerated. Reliquaries took many forms. Some were shaped to represent the saint or various parts of the body such as an arm, head, leg, foot or finger (so-called 'speaking image' reliquaries). Others were designed as a monstrance, which placed the relic on view inside a glass cylinder (monstrare= to show). Another style of reliquary followed an architectural design, often in the Gothic style. This object is an example of a such a reliquary.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Copper gilt, set with painted enamels on copper |
| Brief description | Reliquary, copper gilt, set with painted enamels, Northern Italy, ca. 1470-80 |
| Physical description | Copper-gilt, engraved and set with painted enamel on copper. In the form of a pinnacled shrine supported on a stem and six-pointed foot. The base is set with two enamel roundels at front and back, one depicting a bishop, the other a heraldic symbol, much damaged. On the knop, are six circular bosses upon which six letters are painted in gold on a black ground: 's[ancta] c[atharina] or[a] p[ro] n[obis]'. The reliquary is engraved with a chequered design. There are two hinged panels at front and back which provide access to the cavity (now empty).On the front panel, St Catherine kneels before Emperor Maxentius, her hands held in prayer. On the back panel, St Catherine converses with the philosophers. |
| Dimensions |
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| Marks and inscriptions | 's[ancta] c[atharina] or[a] p[ro] n[obis]'
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| Gallery label |
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| Credit line | Salting Bequest |
| Object history | Salting Bequest Historical significance: St Catherine of Alexandria was known for protesting against Christian persecution to the Emperor Maxentius (306-12AD). She successfully debated with the philosophers sent by the Emperor to silence her and converted many of them. Maxentius ordered her to be tortured on a wheel, but the machine broke at Saint Catherine's touch and she was beheaded. Reliquaries had complex functions. They were believed to be imbued with the holiness of the relic they preserved. The faithful believed that by touching a reliquary, they would receive some of this holy quality. Relics attracted pilgrims to the churches in which they were held, hoping for relief from illness or misfortune, and many made gifts and monetary donations to the church. Local people also gave in honour of their saint and to gain protection for themselves and families, and for their town. Thus relics could often give a sense of identity to a community. Some reliquaries were used in religious processions or festivals, on holy days and the feast day of the saint. |
| Historical context | The bones associated with the saints and the possessions associated with Christ are known as relics. In the Middle Ages they were generally believed to have miraculous powers and were greatly venerated. Relics were kept in containers called reliquaries. Reliquaries took many forms. Some were shaped to represent the saint or various parts of the body such as an arm or finger (so-called 'speaking image' reliquaries). Others were designed as a monstrance, which placed the relic on view inside a glass cylinder (monstrare= to show). Another style of reliquary followed an architectural design, often in the Gothic style. This object is an example of a such a reliquary. |
| Subjects depicted | |
| Summary | In the form of a footed and pinnacled shrine, this reliquary once contained relics of St. Catherine of Alexandria. The six letters aroud the middle stand for the Latin for 'Saint Catherine pray for us'. Catherine was venerated throughout Europe, and she was seen as patron and protectress of students, philosophers and the clergy, of the dying, of nurses, and of craftsmen whose work was based on the wheel, like wheelwrights. The bones associated with the saints and the possessions associated with Christ are known as relics which were kept in containers called reliquaries. In the Middle Ages they were generally believed to have miraculous powers and were greatly venerated. Reliquaries took many forms. Some were shaped to represent the saint or various parts of the body such as an arm, head, leg, foot or finger (so-called 'speaking image' reliquaries). Others were designed as a monstrance, which placed the relic on view inside a glass cylinder (monstrare= to show). Another style of reliquary followed an architectural design, often in the Gothic style. This object is an example of a such a reliquary. |
| Bibliographic reference | Josef Braun, Die Reliquiare des christlichen Kultes und ihre Entwicklung , Freiburg, 1940 |
| Collection | |
| Accession number | M.583-1910 |
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| Record created | June 1, 2000 |
| Record URL |
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