Not on display

Prudence

Medallion
ca. 1540 -1546 (made)
Artist/Maker
Place of origin

This medallion, made in about 1540-1546 in Nuremberg and depicting Prudence belongs to a series of the eight Cardinal Virtues, five of which are in the V&A collection. Two other medallions are in the Kestner-Museum in Hannover. No version of Patience is known to survive in Solnhofen stone, however, although versions in other materials exist. All the reliefs show the Virtues as seated female figures with a distant landscape and architecture in the background.
Peter Flötner was born in the Thurgau region in Switzerland, but had settled in Nuremberg by 1522. He was a prolific designer, draftsman, medallist and sculptor and cooperated with other Nuremberg artists in providing models and designs. The function of the Cardinal Virtues series was to serve as models for goldsmiths, but the designs were often multiplied in brass or lead and were widely disseminated. Silver-gilt roundels based on the Faith, Hope and Fortitude of this series decorate the so-called Elizabeth I salt cellar in the Tower of London, which was made in London in 1572-73.

Object details

Category
Object type
TitlePrudence (generic title)
Materials and techniques
carved in Solnhofen limestone
Brief description
Medallion, Solnhofen limestone, Prudence, by Peter Flötner, Germany (Nuremberg), ca. 1540-1546
Physical description
Medallion: Circular, carved in Solnhofen limestone. A draped female figure (Prudence) is seated on a throne holding her emblem, a mirror. Below her is a cupid. In the background a town or castle.
Dimensions
    Object history
    Formerly in the Tross Collection. 140 medals and reliefs were purchased from M. Henri Tross of Paris for £500 by J.C. Robinson for the Museum in 1867.
    Subjects depicted
    Summary
    This medallion, made in about 1540-1546 in Nuremberg and depicting Prudence belongs to a series of the eight Cardinal Virtues, five of which are in the V&A collection. Two other medallions are in the Kestner-Museum in Hannover. No version of Patience is known to survive in Solnhofen stone, however, although versions in other materials exist. All the reliefs show the Virtues as seated female figures with a distant landscape and architecture in the background.
    Peter Flötner was born in the Thurgau region in Switzerland, but had settled in Nuremberg by 1522. He was a prolific designer, draftsman, medallist and sculptor and cooperated with other Nuremberg artists in providing models and designs. The function of the Cardinal Virtues series was to serve as models for goldsmiths, but the designs were often multiplied in brass or lead and were widely disseminated. Silver-gilt roundels based on the Faith, Hope and Fortitude of this series decorate the so-called Elizabeth I salt cellar in the Tower of London, which was made in London in 1572-73.
    Associated objects
    Bibliographic references
    • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 23
    • Weber, I. Deutsche, Niederländische, und Französische Renaissance Plaketten. Munich, 1975, p. 81, no. M62, 5
    • Bange, Ernst Friedrich. Die Kleinplastik der deutschen Renaissance in Holz und Stein. Berlin, 1928, pp. 80-81
    • Bange, Ernst Friedrich. Die Bildwerke des Deutschen Museums, II, Die Bildwerke in Bronze. Berlin, 1923, pp. 90-91
    • Williamson, Paul, ed. European Sculpture at the Victoria and Albert Museum. London: Victoria and Albert Museum, 1996, p. 112
    Collection
    Accession number
    183-1867

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    Record createdMay 25, 2000
    Record URL
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