Temperance thumbnail 1
Temperance thumbnail 2
Not on display

Temperance

Medallion
ca. 1540 -1546 (made)
Artist/Maker
Place of origin

This medallion depicting Temperance belongs to a series of the eight Cardinal Virtues, five of which are in the V&A collection. Two other medallions are in the Kestner-Museum in Hannover. All the reliefs show the Virtues as seated female figures with a distant landscape and architecture in the background.
Peter Flötner was born in the Thurgau region in Switzerland, but had settled in Nuremberg by 1522. He was a prolific designer, draftsman, medallist and sculptor and cooperated with other Nuremberg artists in providing models and designs. The function of the Cardinal Virtues series was to serve as models for goldsmiths, but the designs were often multiplied in brass or lead and were widely disseminated. Silver-gilt roundels based on the Faith, Hope and Fortitude of this series decorate the so-called Elizabeth I salt cellar in the Tower of London, which was made in London in 1572-73.

Object details

Category
Object type
TitleTemperance (generic title)
Materials and techniques
Solnhofen limestone
Brief description
Medallion, solhofen limestone, Temperance, by Peter Flötner, German (Nuremberg), ca. 1540-46
Physical description
Circular stone medallion or model, used to cast metal plaquettes, depicting Temperance, shown seated on a tree stump in a landscape, pouring water into a bowl containing wine.
Dimensions
  • Diameter: 6.98cm
Object history
Formerly in the Tross Collection. 140 medals and reliefs were purchased from M. Henri Tross of Paris for £500 by J.C. Robinson for the Museum in 1867.
Subjects depicted
Summary
This medallion depicting Temperance belongs to a series of the eight Cardinal Virtues, five of which are in the V&A collection. Two other medallions are in the Kestner-Museum in Hannover. All the reliefs show the Virtues as seated female figures with a distant landscape and architecture in the background.
Peter Flötner was born in the Thurgau region in Switzerland, but had settled in Nuremberg by 1522. He was a prolific designer, draftsman, medallist and sculptor and cooperated with other Nuremberg artists in providing models and designs. The function of the Cardinal Virtues series was to serve as models for goldsmiths, but the designs were often multiplied in brass or lead and were widely disseminated. Silver-gilt roundels based on the Faith, Hope and Fortitude of this series decorate the so-called Elizabeth I salt cellar in the Tower of London, which was made in London in 1572-73.
Associated objects
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1867. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 23
  • Weber, I. Deutsche, Niederländische, und Französische Renaissance Plaketten. Munich, 1975, p. 81, no. M62, 7
  • Williamson, Paul, ed. European Sculpture at the Victoria and Albert Museum. London: Victoria and Albert Museum, 1996, pp. 112-113
  • Trusted, Majorie. ed. The Making of Sculpture: the Materials and Techniques of European Sculpture. London: V&A Publications, 2007, p. 18, pl. 21
Collection
Accession number
184-1867

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Record createdMay 18, 2000
Record URL
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