Not currently on display at the V&A

The King

Watercolour
1946 (made)
Artist/Maker
Place of origin

Cecil Collins (1908-1989) worked both as a painter and designer. He studied at the Plymouth School of art between 1923 and 1927 and the Royal College of Art, London from 1927-1931. In the early 1930s the artist became exposed to the work of artists Picasso (1881-1973) and Klee (1879-1940). In 1936 he participated in the International Surrealist Exhibition, London, before moving away from the movement. The artist returned to his native Devon to teach at Dartington Hall from 1939 to 1943. He believed in art being created through visionary experience and spiritual quest and his works from the 1940s echo the mystical feel of the artists Samuel Palmer (1805-1881) and Odilon Redon (1840-1916).

This gouache drawing shows the crowned figure of a king in the left foreground looking out at the audience. He is shown from the waist upwards standing behind a curve in a hilly landscape. Depth is created through using primary colours within black outlines. The figure and landscape are typical of Collins' work from the mid 1940s.


Object details

Category
Object type
TitleThe King (popular title)
Materials and techniques
Gouache
Brief description
Cecil Collins (1908-1989); 'The King'; watercolour; Britain
Physical description
Gouache drawing on millboard showing a king in the left foreground against a hilly landscape with trees. Black outline with blue, yellow and orange on a brown background.
Dimensions
  • Height: 23.4cm
  • Watercolour width: 17.7cm
  • Height: 42.5cm
  • Frame width: 37.4cm
Watercolour dimensions are estimated through glazing of the frame
Marks and inscriptions
Signed in black ink in the top left hand corner: "Cecil Colins 1945"
Credit line
Bequeathed by Margaret Pemberton
Subjects depicted
Summary
Cecil Collins (1908-1989) worked both as a painter and designer. He studied at the Plymouth School of art between 1923 and 1927 and the Royal College of Art, London from 1927-1931. In the early 1930s the artist became exposed to the work of artists Picasso (1881-1973) and Klee (1879-1940). In 1936 he participated in the International Surrealist Exhibition, London, before moving away from the movement. The artist returned to his native Devon to teach at Dartington Hall from 1939 to 1943. He believed in art being created through visionary experience and spiritual quest and his works from the 1940s echo the mystical feel of the artists Samuel Palmer (1805-1881) and Odilon Redon (1840-1916).

This gouache drawing shows the crowned figure of a king in the left foreground looking out at the audience. He is shown from the waist upwards standing behind a curve in a hilly landscape. Depth is created through using primary colours within black outlines. The figure and landscape are typical of Collins' work from the mid 1940s.
Collection
Accession number
E.559-2005

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 25, 2009
Record URL
Download as: JSON