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Not currently on display at the V&A

Inkstand

ca.1906 (designed and made)
Artist/Maker
Place of origin

The front end of the stand and the two parallel sides are straight; the back edge sweeps in a broad curve meeting in a point at the centre. The surface of the inkstand sweeps upwards from all four sides to form a rectangular receptacle for the inkwell. The inside walls of this receptacle slope inwards towards a square base. It is covered by a square lid, slightly domed with rounded edges, hinged along the back and embellished by two, small raised squares, half way down the edge of each side. The handle is a small square section of metal aligned along the central axis of the lid and lying parallel with the leading edge. A rectangular section is cut out of the base of the handle, the top edge is embellished with three raised squares in a row on either side. The inkwell, of pressed glass, follows the shape of the receptacle and has a circular aperture in the top. Three impressed squares are arranged in a straight line he front of the tray. Otherwise, the decoration consists of stamped squares containing interlaced curves on the two corners of the front of the inkwell and at the two rear corners of the tray. An incised line runs around the inside of the edge and then sweeps upwards towards the hinged edge of the lid, either side of the `prow' at the back. The front edge of the tray is cambered upwards to provide a gully for the pens. The inkstand rests on six feet which are extent ions of the rim; at every corner and in the centre of the front and rear edges.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Inkstand
  • Liner
Materials and techniques
Electroplated silver on cast, Britannia metal.
Brief description
Inkstand, electroplate, Germany, ca.1906, marks for WMF, made by Württembergische Metallwarenfabrick, Geislingen.
Physical description
The front end of the stand and the two parallel sides are straight; the back edge sweeps in a broad curve meeting in a point at the centre. The surface of the inkstand sweeps upwards from all four sides to form a rectangular receptacle for the inkwell. The inside walls of this receptacle slope inwards towards a square base. It is covered by a square lid, slightly domed with rounded edges, hinged along the back and embellished by two, small raised squares, half way down the edge of each side. The handle is a small square section of metal aligned along the central axis of the lid and lying parallel with the leading edge. A rectangular section is cut out of the base of the handle, the top edge is embellished with three raised squares in a row on either side. The inkwell, of pressed glass, follows the shape of the receptacle and has a circular aperture in the top. Three impressed squares are arranged in a straight line he front of the tray. Otherwise, the decoration consists of stamped squares containing interlaced curves on the two corners of the front of the inkwell and at the two rear corners of the tray. An incised line runs around the inside of the edge and then sweeps upwards towards the hinged edge of the lid, either side of the `prow' at the back. The front edge of the tray is cambered upwards to provide a gully for the pens. The inkstand rests on six feet which are extent ions of the rim; at every corner and in the centre of the front and rear edges.
Dimensions
  • Height: 9cm
  • Length: 32.5cm
  • Width: 15.5cm
Style
Marks and inscriptions
Marks: Impressed in the underside of the base of the container for the inkwell; the first ostrich mark used by WMF between 1880 and 1930, the number 120 which indicates the catalogue number, the letter B to indicate the base metal alloy is Britannia metal and the letters OX for oxidised. (Britannia metal is a pewter alloy with a small addition of antimony.)
Credit line
Gift of Hubert Viti
Object history
For those objects with an oxidised finish, the raised decoration was blackened with a solution of sulphuret of potash and the flat areas, polished to a matt finish with pumice. The underside of this object has largely retained its original surface finish. However, there are significant areas of the upper surface which have become polished with use and some of the deliberate oxidation has been removed.
Bibliographic reference
Art Nouveau Domestic Metalwork from Württembergische Metallwarenfabrick, The English Catalogue 1906 with an introduction by Graham Dry ed. Graham Dry, Antque Collectors' Club, Woodbridge Suffolk, 1988, pp. xlvii, xlix, 283. ISBN: 1-85149-066-3
Collection
Accession number
M.10:1, 2-1985

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Record createdJune 24, 2009
Record URL
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