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Not currently on display at the V&A

Necklace

1860-1870 (made)
Artist/Maker
Place of origin

Crosses are the most distinctive element in French traditional jewellery. Every French woman owned one. They usually wore them on a black velvet ribbon, fastened tightly round the neck like a choker, with a slide at the front. The ribbon passes through the bale of the cross, and is then threaded through a hole or loop at the base of the slide, and out at either side. It is tied in a bow at the back of the neck.

In Brittany the cross and slide were sewn onto the black velvet ribbon, rather than threaded on it. This meant that the ribbon always remained flat, and was therefore open to further decoration. Breton women decorated their ribbons with metal appliqués in all kinds of shapes, such as stars and flowers.

The V&A bought traditional jewellery from many European countries for the International Exhibition in London in 1872, including this necklace. It cost £1 14s. and was described as coming from Provence. Coinciding with this exhibition, Breton necklets, as they were usually known in Britain, became very popular in London, and were high fashion for a few years.


Object details

Categories
Object type
Materials and techniques
Black velvet ribbon with oxydised silver metal appliques
Brief description
Black velvet choker set with oxydised silver metal spangles, France, 1860-1870.
Physical description
Long strip of black velvet ribbon, decorated along the front and at each end with oxydised silver metal motifs, with a disc at the centre. Below the disc a short length of the same velvet ribbon hangs down, similarly decorated, with a matching oxydised silver metal cross at the bottom.
Dimensions
  • Length: 141cm
  • Width: 23.6cm
  • Depth: 0.5cm
Subject depicted
Summary
Crosses are the most distinctive element in French traditional jewellery. Every French woman owned one. They usually wore them on a black velvet ribbon, fastened tightly round the neck like a choker, with a slide at the front. The ribbon passes through the bale of the cross, and is then threaded through a hole or loop at the base of the slide, and out at either side. It is tied in a bow at the back of the neck.

In Brittany the cross and slide were sewn onto the black velvet ribbon, rather than threaded on it. This meant that the ribbon always remained flat, and was therefore open to further decoration. Breton women decorated their ribbons with metal appliqués in all kinds of shapes, such as stars and flowers.

The V&A bought traditional jewellery from many European countries for the International Exhibition in London in 1872, including this necklace. It cost £1 14s. and was described as coming from Provence. Coinciding with this exhibition, Breton necklets, as they were usually known in Britain, became very popular in London, and were high fashion for a few years.
Collection
Accession number
1239-1873

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Record createdJune 24, 2009
Record URL
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