Inkstand thumbnail 1
Not currently on display at the V&A

Inkstand

1550-1560 (made)
Artist/Maker
Place of origin

Renaissance merchants were expected to write beautifully and keep careful track of their accounts. They were often painted sitting with writing tools such as this finely decorated inkstand. It is fitted with pots to hold ink which was made by boiling oak galls with iron filings and adding gum arabic to bind it.

This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron.


Object details

Categories
Object type
Materials and techniques
Iron, gold, silver, damascening
Brief description
Rectangular inkstand, iron, blued and damascened with gold and silver, Italy (probably Venice), 1550-1560.
Physical description
Rectangular casket of iron plaques damascened with gold and silver, the underside with worn damascened decoration in silver only. Four silver ball feet applied later; the gilded frame enclosing the casket plaques probably later. Casket lid lifts to reveal four compartments: one long, oval, one in front of which are three smaller oval compartments with damascened lids. The underside of the casket lid also damascened.
Dimensions
  • Base to top of lid when casket closed height: 7.5cm
  • Across the casket width: 19.2cm
  • From front of casket to back when casket closed depth: 13.2cm
  • Base to top of open lid at just over 90 degree angle height: 17.2cm
  • From back of open lid at widest point to front of casket depth: 20cm (approximate)
Gallery label
  • INKSTAND Blued iron damascened in gold and silver ITALIAN (Venice); about 1550 M.666-1910 Salting Bequest This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Similar geometric and foliate patterns can be seen not only on metalwork but also on many other objects such as the Ardabil carpet in Gallery 42. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron.(1990)
  • INKSTAND, iron, blued and damascened with gold and silver, Italy; 16th century Probably made in Venice. The inkpots are of tinned iron. Salting Bequest Museum No. M.666-1910 (07/1994)
Credit line
Bequeathed by George Salting
Summary
Renaissance merchants were expected to write beautifully and keep careful track of their accounts. They were often painted sitting with writing tools such as this finely decorated inkstand. It is fitted with pots to hold ink which was made by boiling oak galls with iron filings and adding gum arabic to bind it.

This inkstand is decorated with geometric repeat designs in the Islamic style. Non-figurative decoration flourished in Muslim countries due to the law against images of people or animals. Islamic decoration was popular in sixteenth-century Venice and it is likely that this inkstand was made for the personal use of a wealthy patron.
Bibliographic references
  • Catalogue des objets d'art et de haute curiosité : antiques, du moyen-age & de la Renaissance composant l'importante et précieuse collection Spitzer dont la vente publique aura lieu a Paris ... du lundi 17 avril au vendredi 16 juin 1893, Paris, France, April 17 - June 16, 1893 (Paris: Imprimerie de l'art, E. Ménard et Cie, 1893).
  • Campbell, Marian. An Introduction to Ironwork. London: Her Majesty's Stationery Office, 1985. 48 p., ill. ISBN 0112904157 pl.14
Collection
Accession number
M.666-1910

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Record createdJune 24, 2009
Record URL
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