Cross thumbnail 1
Cross thumbnail 2
+1
images
Not currently on display at the V&A

Cross

1852 (made)
Artist/Maker
Place of origin

Although traditional jewellery was worn throughout Sweden, and has a distinct Swedish character, there are marked differences between the different provinces. Skåne province, in the extreme south of Sweden, has the richest tradition, and more jewellery was worn there than in any other district. Almost all the Swedish traditional jewellery at the V&A comes from Skåne.

When Sweden became Protestant in 1527, Swedish women continued to wear crosses rich with symbolism and religious pendants like their medieval predecessors. The most typical Swedish cross is the tau (T-shaped) cross, also called the cross of St Anthony, from Skåne. Sweden is the only country which has tau crosses among its traditional jewellery.

The oldest tau crosses were made from solid metal. By the 19th century they were usually made from thin sheet silver with stamped patterns, or lavishly decorated with filigree and coloured pastes. The red glass stones on this cross are typical of Swedish traditional jewellery of all kinds in the 19th century. This cross is marked with the Ystad griffin mark, the date mark X4 for 1852, and the maker's mark P.W. Peter Magnus Wallengren was a leading silversmith in Ystad, who specialised in making traditional jewellery from 1830 to 1879.


Object details

Categories
Object type
Materials and techniques
Sheet silver with silver filigree overlay set with red pastes
Brief description
Silver Tau cross, partly gilded and decorated with filigree and red pastes, Skåne (Sweden), 1852.
Physical description
Tau cross pendant with hollow sphere above, covered with a tracery of filigree and set with round and pear-shaped red pastes. There are nine (originally 11) pendent discs of various sizes hanging from the sides and base. There is a lozenge, matching the cross, between the top of the cross and the hollow sphere. There is a rectangular bale attached to the loop at the top of the sphere, which may have been replaced, although it is probably of the same age as the cross.
Dimensions
  • Length: 17.0cm
  • Width: 9.5cm
  • Depth: 1.7cm
Marks and inscriptions
  • 'X4' in rectangular frame. (On back of cross, and on back of lozenge at top.)
    Translation
    Date mark for 1852.
  • 'P.W' in rectangular frame. (On back of cross, and on back of lozenge at top.)
    Translation
    Mark of Peter Magnus Wallengren, of Ystad.
  • Griffin in a shield-shaped frame. (On back of cross.)
    Translation
    Town mark of Ystad.
Subject depicted
Summary
Although traditional jewellery was worn throughout Sweden, and has a distinct Swedish character, there are marked differences between the different provinces. Skåne province, in the extreme south of Sweden, has the richest tradition, and more jewellery was worn there than in any other district. Almost all the Swedish traditional jewellery at the V&A comes from Skåne.

When Sweden became Protestant in 1527, Swedish women continued to wear crosses rich with symbolism and religious pendants like their medieval predecessors. The most typical Swedish cross is the tau (T-shaped) cross, also called the cross of St Anthony, from Skåne. Sweden is the only country which has tau crosses among its traditional jewellery.

The oldest tau crosses were made from solid metal. By the 19th century they were usually made from thin sheet silver with stamped patterns, or lavishly decorated with filigree and coloured pastes. The red glass stones on this cross are typical of Swedish traditional jewellery of all kinds in the 19th century. This cross is marked with the Ystad griffin mark, the date mark X4 for 1852, and the maker's mark P.W. Peter Magnus Wallengren was a leading silversmith in Ystad, who specialised in making traditional jewellery from 1830 to 1879.
Collection
Accession number
371-1886

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest