Clockwork Tortoise
1600-1650
Place of origin |
This piece was almost certainly made to be shown with other examples of scientific and artistic skill, and natural wonders, in a Kunstkammer. A Kunstkammer was a room (or rooms) in a large private house or palace specially reserved for the display of rare, valuable and intriguing objects, both natural and man-made, to select visitors. In the late sixteenth and early seventeenth centuries, automata that incorporated mechanical clocks regularly appeared in inventories of these rooms. In this example the tortoise's head jerks in and out from under its shell as the object is rolled along. The merman on top of the shell (known as a triton) is designed to raise its arms and bring its trident down on the head of the moving tortoise. However the crude workmanship of triton and its disproportionate size in relation to the tortoise suggest it is a later alteration, and that the tortoise may originally have carried only a clock on its back.
Object details
Category | |
Object type | |
Materials and techniques | Tortoiseshell, brass, cast and chased, red enamel on the tortoise's mouth. |
Brief description | The shell of a tortoise fitted with cast brass head and feet of a tortoise, a mechanism inside the shell, wheels and an articulated figure of a triton. |
Physical description | The shell of a tortoise fitted with the head and feet of a tortoise cast in brass, a mechanism inside the shell, wheels, and an articulated figure of a triton, cast in brass. |
Dimensions |
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Credit line | Given by Colonel Sir C. Wyndham Murray, KCB. |
Object history | The tortoise was given to the Museum by Colonel Sir Charles Wyndham Murray (1844-1928), British army officer and politician. It entered the collections after his death. Nothing is known of the early history of this object. The triton figure seems to be the result of a later alteration to the piece. It is crudely cast in comparison with the head and feet of the tortoise, and disproportionately large. The hole now used to secure the triton may once have held a clock. A comparable example (Augsburg, ca. 1610, now in Darmstadt, Hessisches Landesmuseum) shows a rider on a turtle, seated closer to the turtle's head, with a clock fixed to the top of the turtle's shell. The V&A tortoise has no piercings that suggest there ever was a figure seated towards the edge of the shell. |
Summary | This piece was almost certainly made to be shown with other examples of scientific and artistic skill, and natural wonders, in a Kunstkammer. A Kunstkammer was a room (or rooms) in a large private house or palace specially reserved for the display of rare, valuable and intriguing objects, both natural and man-made, to select visitors. In the late sixteenth and early seventeenth centuries, automata that incorporated mechanical clocks regularly appeared in inventories of these rooms. In this example the tortoise's head jerks in and out from under its shell as the object is rolled along. The merman on top of the shell (known as a triton) is designed to raise its arms and bring its trident down on the head of the moving tortoise. However the crude workmanship of triton and its disproportionate size in relation to the tortoise suggest it is a later alteration, and that the tortoise may originally have carried only a clock on its back. |
Bibliographic references |
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Collection | |
Accession number | M.130-1922 |
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Record created | June 24, 2009 |
Record URL |
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