Not currently on display at the V&A

Bassoon

1810 - 1830 (Made)
Artist/Maker
Place of origin

Bassoons cover the lower ranges of the woodwind section of an orchestra.. This example was made by Thomas Key (fl. 1800 - 1850), a specialist in woodwind and brass instruments, especially those used in military bands. By 1809 Key styled himself 'Musical Instrument Maker to their Royal Highnesses the Prince of Wales, Dukes of York, Kent, Cumberland and Cambridge', and he is known to have traded from Pall Mall, London, until 1813 and in Charing Cross, by 1836.


Object details

Category
Object type
Materials and techniques
Turned and bored fruitwood tubing with brass mounts and keys.
Brief description
Bassoon, fruitwood with brass mounts and keys, Thomas Key, English, 1810-30.
Physical description
'Of fruitwood, in four joints, brass mounted. Bell shape as on 23/9 [i.e. bassoon by Goulding (Museum no.: 637-1872)]. Eight brass keys, of which the two thumb keys on the wing joint differ from the others being square' - Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), p. 99.
Dimensions
  • Height: 123.5cm
Measurements taken from Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 99.
Marks and inscriptions
Key London (Stamped on the wooden tubing)
Object history
This instrument was bought by the museum in 1882 for ten shillings (£0.50p). It had been part of the collections of Carl Engel (1818-1882), an eminent musicologist from Hanover, who published the Descriptive Catalogue of the Musical Instruments in the South Kensington Museum in 1874. The South Kensington Museum has been known as the Victoria & Albert Museum since 1899.
Summary
Bassoons cover the lower ranges of the woodwind section of an orchestra.. This example was made by Thomas Key (fl. 1800 - 1850), a specialist in woodwind and brass instruments, especially those used in military bands. By 1809 Key styled himself 'Musical Instrument Maker to their Royal Highnesses the Prince of Wales, Dukes of York, Kent, Cumberland and Cambridge', and he is known to have traded from Pall Mall, London, until 1813 and in Charing Cross, by 1836.
Bibliographic reference
Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 99.
Collection
Accession number
289-1882

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Record createdJune 24, 2009
Record URL
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