English Guitar thumbnail 1
Not currently on display at the V&A

English Guitar

1765 (Made)
Artist/Maker
Place of origin

William Gibson worked in Dublin and was active from about 1760 until 1790. Like his fellow Dubliner, Thomas Perry (1744-1817), he used ivory fingerboards and metal ring-shaped tuning pegs. The English guitar was wire-strung, tuned in the key of C major and enjoyed a vogue amongst fashionable ladies in the British Isles from about 1750 until 1810.


Object details

Category
Object type
Materials and techniques
planed and joined pine soundboard; planed and joined sycamore back and sides; planed ivory fingerboard with brass frets; carved and planed ebony capotasto
Brief description
English guitar, sycamore body and ivory fingerboard, W.Gibson, Dublin, Irish, 1765.
Physical description
"A large-sized instrument with pointed shoulders. Back of two pieces of sycamore. Belly of pine, the rose missing. The neck is slightly hollowed on the bass side and carries a nearly flat ivory fingerboard with shaped end, fourteen full frets of brass and two short frets, and five capotasto holes. An ebony capotasto is attached by a brass bolt. The head has an original enclosed worm-gear machine tuning, with brass ring-shaped fingerpieces. The square finial is faced with tortoiseshell in which is set a small silver shield with the initials J.G.D.." Anthony Baines, Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), p. 50.
Dimensions
  • Length total length: 90cm
  • Length of body length: 40.5cm
  • String length length: 53cm
  • Width: 35.6cm
  • Depth: 7.2cm
Measurements taken from Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 50.
Marks and inscriptions
  • W.Gibson, 1765 (Written on the back of the instrument.)
  • J.G.D. (Engraved on a small silver shield set in the tortoiseshell finial above the tuning pegs.)
Credit line
Given to the Museum by Miss N. Drummond.
Object history
This instrument was given to the Museum by Miss N.Drummond in 1919.
Summary
William Gibson worked in Dublin and was active from about 1760 until 1790. Like his fellow Dubliner, Thomas Perry (1744-1817), he used ivory fingerboards and metal ring-shaped tuning pegs. The English guitar was wire-strung, tuned in the key of C major and enjoyed a vogue amongst fashionable ladies in the British Isles from about 1750 until 1810.
Bibliographic reference
Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 50.
Collection
Accession number
W.7-1919

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Record createdJune 24, 2009
Record URL
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