Kit
1647 (Made)
Artist/Maker | |
Place of origin |
Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". Jacques du Mesnil was based in Paris and made a number of string instruments, including a violin and a mandore, which date from the 1640s to the 1660s.
Object details
Category | |
Object type | |
Materials and techniques | Carved and planed ebony body, planed pine belly. |
Brief description | Ebony body, French, Jacques du Mesnil, 1647 |
Physical description | "Narrow model. Ebony body shaped to five faces. Belly similar to that of preceding instrument [i.e. Kit by Dimanche Drouyn, Museum no 519-1872: '... with a heart-shaped soundhole and two inwards-facing C-holes ..' - Baines, Catalogue ... II, p. 20]. Ebony fingerboard and pegbox with a carved head of a woman.' - Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), p. 21. |
Dimensions |
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Marks and inscriptions | Du Mesnil/ a Paris 1647 (Written on the label inside the instrument.)
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Summary | Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". Jacques du Mesnil was based in Paris and made a number of string instruments, including a violin and a mandore, which date from the 1640s to the 1660s. |
Bibliographic reference | Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 21 |
Collection | |
Accession number | W.2-1937 |
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Record created | June 24, 2009 |
Record URL |
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