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Kit

1647 (Made)
Artist/Maker
Place of origin

Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". Jacques du Mesnil was based in Paris and made a number of string instruments, including a violin and a mandore, which date from the 1640s to the 1660s.

Object details

Category
Object type
Materials and techniques
Carved and planed ebony body, planed pine belly.
Brief description
Ebony body, French, Jacques du Mesnil, 1647
Physical description
"Narrow model. Ebony body shaped to five faces. Belly similar to that of preceding instrument [i.e. Kit by Dimanche Drouyn, Museum no 519-1872: '... with a heart-shaped soundhole and two inwards-facing C-holes ..' - Baines, Catalogue ... II, p. 20]. Ebony fingerboard and pegbox with a carved head of a woman.' - Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), p. 21.
Dimensions
  • Total length: 41.5cm
  • Length of belly length: 26.5cm
  • String length length: 24.6cm
  • Length of fingerboard length: 13cm
  • Width: 4cm
Taken from Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 21.
Marks and inscriptions
Du Mesnil/ a Paris 1647 (Written on the label inside the instrument.)
Translation
Du Mesnil/ in Paris 1647.
Summary
Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". Jacques du Mesnil was based in Paris and made a number of string instruments, including a violin and a mandore, which date from the 1640s to the 1660s.
Bibliographic reference
Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 21
Collection
Accession number
W.2-1937

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Record createdJune 24, 2009
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