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Frieze Panel

1886-1894 (made)
Artist/Maker
Place of origin

This frieze panel, with other carvings (W.19 to W.24-1980) was originally part of the panelled decoration of the drawing-room in a house called 'Lululaund' in Bushey, Hertfordshire. It was built in 1886-1894 for the painter Hubert Herkomer (1849-1914), a highly successful artist, who had established an art school in Bushey and who was also the Slade Professor of Art at Oxford. Herkomer had exchanged a portrait he painted of the American architect H.H. Richardson (1838-1886) for an elevation drawing for the house he was planning. The interior, however, was entirely to his design, and he controlled it closely by employing his father Lorenz and his uncle Johann, to carve both panelling and furniture, while many of the textiles were woven by his uncle Anton Herkomer.
The Herkomers originated in Bavaria and the carving of the house reflected the Gothic style of Bavarian carving of the early 16th century – a flamboyant Gothic style, with sinous stems to plants. 'Lululaund' was greatly celebrated in its day but in 1939 it was demolished.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Frieze Panel
  • Fragment
Materials and techniques
Carved oak
Brief description
A rectangular, horizontal frieze panel of oak, one of a pair, carved and pierced with interlacing boughs and foliage. Originally forming part of a frieze above the chimneypiece in the drawing-room at Lululaund, Bushey, Herts, the home of the artist Hubert Herkomer (1849-1914).
Physical description
A rectangular, horizontal panel of oak, carved and pierced with interlacing boughs and foliage. Originally forming a frieze above the chimneypiece in the drawing-room at Lululaund, Bushey, Herts. Small areas of the carving have been broken off.
Style
Object history
Designed by the painter Sir Hubert Herkomer (1849-1914) for his house, Lululaund, near Bushey, Hertfordshire, 1885-1894. The panel was carved either by his father, Lorenz, or by his uncle Johann, or under their supervision by an unknown carver working on the house.

This panel was purchased (with other fragments from Lululaund, W.20 to 24-1980) from a Mr Donald Hay, who had acquired them from an elderly cousin, Miss Hannah Braithwaite, of Bradford. There is no record of how they had come into her possession. The Nominal File for the acquisition is numbered MA/1/H1851. At the time of acquisition the responsible curator, Simon Jervis, described the carving as 'vegetative, proto-Art Nouveau, late Gothic, which is at once very German and very Richardsonian' (referring to H.H. Richardson, the architect who designed Lululaund.

The pierced panel derives from Gothic designs of the early 16th century. Similar forms were used in areas of Germany and Switzerland in the early 16th century, as illustrated by a multi-drawered cabinet, originally made c. 1518 for the offices of the Dom at Basel, is in the Historisches Museum Basel (inv. no. 1906.1121), illustrated in Stefan Hess and Wolfgang Loescher, Möbel in Basel. Kunst und Handwerk der Schreiner bis 1798 (Basel, 2012), cat. no. 12
Production
Carved to the design of Hubert Herkomer by his father, Lorenz Herkomer, his uncle Johann Herkomer, or one of their assistants
Summary
This frieze panel, with other carvings (W.19 to W.24-1980) was originally part of the panelled decoration of the drawing-room in a house called 'Lululaund' in Bushey, Hertfordshire. It was built in 1886-1894 for the painter Hubert Herkomer (1849-1914), a highly successful artist, who had established an art school in Bushey and who was also the Slade Professor of Art at Oxford. Herkomer had exchanged a portrait he painted of the American architect H.H. Richardson (1838-1886) for an elevation drawing for the house he was planning. The interior, however, was entirely to his design, and he controlled it closely by employing his father Lorenz and his uncle Johann, to carve both panelling and furniture, while many of the textiles were woven by his uncle Anton Herkomer.
The Herkomers originated in Bavaria and the carving of the house reflected the Gothic style of Bavarian carving of the early 16th century – a flamboyant Gothic style, with sinous stems to plants. 'Lululaund' was greatly celebrated in its day but in 1939 it was demolished.
Associated objects
Bibliographic reference
Sarah Medlam, 'Family Values: Sir Hubert Herkomer's furniture for Lululaund', Furniture History, vol. LI (2015), pp. 223-234 discusses the interior furnishings of Lululaund.
Collection
Accession number
W.19:1,2-1980

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Record createdJune 24, 2009
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