Kit thumbnail 1
Kit thumbnail 2
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Not on display

This object consists of 2 parts, some of which may be located elsewhere.

Kit

1700 - 1760 (Made)
Artist/Maker
Place of origin

Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". This example was probably made in England in the 18th century but its body is shaped like a viol, an instrument which became increasingly obsolete after about 1750.

Object details

Category
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Kit
  • Pochette
  • Bow (Chordophone Component)
Materials and techniques
planed and carved sycamore body; planed and purfled (bordered) pine belly; planed ebony tailpiece and fingerboard.
Brief description
Kit or pochette (miniature violin), sycamore body and pine soundboard, English, 1700 - 1800
Physical description
'Viol-shaped body with arched back, of sycamore. Pine belly with a single line of purfling. A well-carved scroll with wide spirals, and boxwood pegs. Ebony tailpiece and fingerboard' - Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments(London, 1998), pp. 22-23.
Dimensions
  • Total length: 46cm
  • Length of belly length: 18cm
  • String length length: 30cm
  • Upper bout width: 9cm
  • Middle bout width: 6cm
  • Lower bout width: 10.3cm
Measurements taken from Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), pp, 26-27.
Credit line
Bequeathed by Mr. F.L. Lucas
Object history
Bequeathed by Frederick Louis Lucas. See Nominal File MA/1/L2213. Mr Lucas left to the Museum the choice of items from his house and one fifth of his residual estate.
Summary
Kits were small, narrow versions of violins, often played by dancing masters before demonstrating a particular step. One recorded virtuoso of this instrument was Francis Pemberton who flourished in England in the 1760s and was "able to play solos on [the kit], exhibiting all the graces and elegancies of the violin". This example was probably made in England in the 18th century but its body is shaped like a viol, an instrument which became increasingly obsolete after about 1750.
Bibliographic reference
Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), pp. 22-23.
Collection
Accession number
W.6-1931

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Record createdJune 24, 2009
Record URL
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