Not currently on display at the V&A

Frame

ca. 1730-1760 (made)
Artist/Maker
Place of origin

This frame would have been admired as an excellent model for a designer or carver in training in the late-19th century, even though it was by then more than one hundred years old. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.




Object details

Categories
Object type
Materials and techniques
Carved and gided wood
Brief description
Giltwood frame, carved with scrollwork of irregular outline, with, on one side, a head.
Physical description
Giltwood frame, carved with scrollwork of irregular outline, with, on one side, a head.
Dimensions
  • Height: 23in
  • Width: 27.5in
Dimensions taken from departmental catalogue.
Style
Credit line
Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA
Summary
This frame would have been admired as an excellent model for a designer or carver in training in the late-19th century, even though it was by then more than one hundred years old. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specializing in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.


Collection
Accession number
W.690-1921

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 24, 2009
Record URL
Download as: JSONIIIF Manifest