Frame
1770-90 (made)
Artist/Maker | |
Place of origin |
This frame would have provided an excellent model for Victorian carvers seeking to reproduce the style of French carvers of the late-18th century. This style was very popular in Britain and throughout Europe from the 1820s and there was a vast trade in creating reproductions. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm.
Object details
Categories | |
Object type | |
Materials and techniques | Carved and gilded wood |
Brief description | A circular frame of carved and gilded wood, carved with a laurel wreath with floral motifs |
Physical description | A circular frame of carved and gilded wood, carved with a laurel wreath with floral motifs |
Dimensions |
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Style | |
Credit line | Given by Sir Charles and Lady Allom in memory of their son, Lieutenant Cedric Allom RFA |
Summary | This frame would have provided an excellent model for Victorian carvers seeking to reproduce the style of French carvers of the late-18th century. This style was very popular in Britain and throughout Europe from the 1820s and there was a vast trade in creating reproductions. It is one of several hundred carvings given to the Museum in 1921 by Sir Charles Allom and his wife, in memory of their son, who died in the First World War. From 1893 Sir Charles headed White Allom & Co., one of the most successful firms of architectural decorators in Britain, specialising in the copying of historic styles. Between 1900 and 1914 he also began to work for clients in the United States and after the First World War he spent time in both countries. The collection of carvings seems to have been put together as a study collection for his son, perhaps in the expectation that he would follow in his father's footsteps and take over the firm. |
Collection | |
Accession number | W.475-1921 |
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Record created | June 24, 2009 |
Record URL |
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