Collar
second half of 17th century (made)
| Artist/Maker | |
| Place of origin |
Object Type
Collar made of a type of heavily textured needle lace, known as gros point de Venise, which was the most fashionable choice between the 1660s and the 1680s for both men and women. During this period the wearing of extravagant displays of lace was increasingly used as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands, but a fashionable man might even have matching lace borders trimming his boot hose.
Materials & Making
Lace for collars and cuffs could be bought either by length or by the piece made to shape, and might be brought back in either form by English travellers returning from abroad. It was then usually taken to a milliner to be made up or at a later stage to be adapted into a newly fashionable style.
Trading
In an attempt to protect the English lace industry a royal proclamation was issued in 1662 forbidding the importation or selling of foreign lace. The royal family was exempt from this prohibition, which also seems to have been widely flouted by members of the court and other fashionable people, for Venetian needle lace of this type continued to be freely sold and worn in London.
Collar made of a type of heavily textured needle lace, known as gros point de Venise, which was the most fashionable choice between the 1660s and the 1680s for both men and women. During this period the wearing of extravagant displays of lace was increasingly used as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands, but a fashionable man might even have matching lace borders trimming his boot hose.
Materials & Making
Lace for collars and cuffs could be bought either by length or by the piece made to shape, and might be brought back in either form by English travellers returning from abroad. It was then usually taken to a milliner to be made up or at a later stage to be adapted into a newly fashionable style.
Trading
In an attempt to protect the English lace industry a royal proclamation was issued in 1662 forbidding the importation or selling of foreign lace. The royal family was exempt from this prohibition, which also seems to have been widely flouted by members of the court and other fashionable people, for Venetian needle lace of this type continued to be freely sold and worn in London.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Materials and techniques | Needle lace worked in linen thread |
| Brief description | Collar of two halves of needle lace worked in linen thread, Venice, second half of the 17th century |
| Physical description | Collar of two halves of needle lace worked in linen thread. Each piece is in the shape of a truncated right angled triangle and the patterns of each are arranged so as to be symmetrical when the short sides are placed together. The pattern consists of scrolling branches bearing formalised flowers and leaves. The pattern is of an open characted and the 'brides picotees' joining the sections are fairly conspicuous. There is a border of buttonhole stitches decorated with little semicircular picots all round each piece. |
| Dimensions |
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| Credit line | Bequeathed by the Trust of Mrs S.B.P. Lawrie |
| Object history | Registered File Number 1962/2172. Set of dress accessories T.6 to C-1963 |
| Subjects depicted | |
| Summary | Object Type Collar made of a type of heavily textured needle lace, known as gros point de Venise, which was the most fashionable choice between the 1660s and the 1680s for both men and women. During this period the wearing of extravagant displays of lace was increasingly used as a mark of wealth and status. The showiest effects were achieved with lace worn at the throat and at the wrist, setting off the face and hands, but a fashionable man might even have matching lace borders trimming his boot hose. Materials & Making Lace for collars and cuffs could be bought either by length or by the piece made to shape, and might be brought back in either form by English travellers returning from abroad. It was then usually taken to a milliner to be made up or at a later stage to be adapted into a newly fashionable style. Trading In an attempt to protect the English lace industry a royal proclamation was issued in 1662 forbidding the importation or selling of foreign lace. The royal family was exempt from this prohibition, which also seems to have been widely flouted by members of the court and other fashionable people, for Venetian needle lace of this type continued to be freely sold and worn in London. |
| Collection | |
| Accession number | T.6&A-1963 |
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| Record created | June 24, 2009 |
| Record URL |
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