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Hat

1830-1840 (made)
Artist/Maker
Place of origin

The top hat first appeared at the very end of the eighteenth-century and, through modification of the style, remained the dominant form of headwear for the next hundred years.

The United Kingdom's increased industrial output in the middle years of the nineteenth century meant that popular fashions which were previously out-of-reach for the majority of the population were now more accessible to men lower down the social ladder. The resemblance of the straight, high-crowned headgear to factory chimneys did not go unnoticed, nor did the fact that many wealthy industrialists wore them, and so the top hat became a symbol of affluence and urbane respectability.

Most top hats were initially made from beaver felt, and so this example from the 1830s is fairly typical of its time. Beaver was superseded in the 1850s by silk plush as the material of choice for hatters. The choice of colouring may seem surprising when one imagines the somewhat staid blacks and greys of the stereotypical Victorian gentleman, though expression through flamboyant fashion was far more common in the first half of the century than it was after the death of Prince Albert.


Object details

Categories
Object type
Materials and techniques
Beaver wool trimmed with grosgrain ribbon
Brief description
Top hat for a man, white beaver with grosgrain ribbon trim, made in London, 1830-1840
Physical description
White beaver man's top hat with grosgrain ribbon trim, labelled 'made in London'.
Dimensions
  • Height: 7.5in
Dimensions taken from paper records.
Credit line
Given by Mrs Doreen Erroll
Object history
The donor of this hat, Doreen Erroll, a theatrical costumier, is mentioned in the Birmingham Post, Friday July 7, 1939, in the 'London Letter for Women'. Under the title 'Minnie's Wedding Bonnet' the correspondent describes a visit to the exhibition 'Old Soho' of period costumes from Doreen Erroll's collection. This includes a 'pathetic item [..] a charming little white straw bonnet ... picked up by Miss Erroll on the stones of the Caledonian Market, still in the box of the firm who made it in 1840. On the box, in faded handwriting, was the announcement: "This is Minnie's wedding bonnet." With it was the white beaver hat of Minnie's bridegroom. But this has since been given to the Victoria and Albert Museum by Miss Erroll.'

With thanks to Beatrice Behlen for passing on this reference.
Summary
The top hat first appeared at the very end of the eighteenth-century and, through modification of the style, remained the dominant form of headwear for the next hundred years.

The United Kingdom's increased industrial output in the middle years of the nineteenth century meant that popular fashions which were previously out-of-reach for the majority of the population were now more accessible to men lower down the social ladder. The resemblance of the straight, high-crowned headgear to factory chimneys did not go unnoticed, nor did the fact that many wealthy industrialists wore them, and so the top hat became a symbol of affluence and urbane respectability.

Most top hats were initially made from beaver felt, and so this example from the 1830s is fairly typical of its time. Beaver was superseded in the 1850s by silk plush as the material of choice for hatters. The choice of colouring may seem surprising when one imagines the somewhat staid blacks and greys of the stereotypical Victorian gentleman, though expression through flamboyant fashion was far more common in the first half of the century than it was after the death of Prince Albert.
Collection
Accession number
T.126-1933

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Record createdJune 24, 2009
Record URL
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