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Folies Bergère Liane de Pougy

Poster
ca. 1896 (printed)
Artist/Maker
Place of origin

Poster, signed, showing the dancer Liane de Pougy standing with outstretched arms and bare feet in front of a spider's web. There are yellow irises in the foreground, 'Liane de Pougy' written across the bottom.


Object details

Categories
Object type
TitleFolies Bergère Liane de Pougy (generic title)
Materials and techniques
Colour lithograph on paper
Brief description
Colour lithograph showing Liane de Pougy in 'L'Araignée d'Or' by Paul Louis Joseph Berthon, Paris ca. 1896.
Physical description
Poster, signed, showing the dancer Liane de Pougy standing with outstretched arms and bare feet in front of a spider's web. There are yellow irises in the foreground, 'Liane de Pougy' written across the bottom.
Dimensions
  • Height: 164cm
  • Width: 66cm
Dimensions include backing paper
Style
Marks and inscriptions
  • Folies Bergère (top right)
  • Soc.te des Imp.ries Lemercier Paris Affiches artistiques de LA PLUME, 31, Rue Bonaparte, Paris (Left-hand side)
  • Liane de Pougy (bottom)
  • Paul Berthon (Signed lower left)
  • République Française stamp (top centre)
Gallery label
'American and European Art and Design 1800-1900' This poster advertises the appearance of the dancer Liane de Pougy as the spider in L'Araignée d'Or by Jean Lorrain, first produced at the Folies-Bergère, Paris in about 1896. The work of its designer Paul Berthon was greatly influenced by his teacher Eugène Grasset, both artists drawing inspiration from the medieval decorative arts such as tapestries, stained glass and manuscript illuminations. Berthon delighted in the execution of richly patterned compositions, in which intertwining flowers, beasts, and stylized ornament echo medieval design.(1987-2006)
Object history
This poster advertises the appearance of the dancer Liane de Pougy as the spider in L'Araignée d'Or by Jean Lorrain, first produced at the Folies-Bergère, Paris in about 1896.
Historical context
The work of Paul Berthon was greatly influenced by his teacher Eugène Grasset, both artists drawing inspiration from the medieval decorative arts such as tapestries, stained glass and manuscript illuminations. Berthon delighted in the execution of richly patterned compositions, in which intertwining flowers, beasts, and stylized ornament echo medieval design.
Subjects depicted
Collection
Accession number
E.925-1969

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Record createdApril 12, 2000
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