Sack
1755 - 1760 (weaving), 1755 - 1765 (sewing)
Artist/Maker | |
Place of origin |
A woman's sack and petticoat of purple silk brocaded with a floral pattern in white with red centres, yellow, red and white and silver with red, and pink centres. The foliage is in green and the design is linked by vertical meandering trails in silver gilt.
The sack is open down the front, with no waist seams, robings extending to the hem, and elbow-length sleeves and double sleeve ruffles. The back has two double box pleats, extending shoulder to hem. The bodice, sleeves and sleeve ruffles are lined with white taffet; the hem is faced with the same fabric. The bodice lining is open at the back with 4 pairs of ties. The sack is made of 6 widths of silk, and shaped at the sides with gores of silk to fit over a wide fan-shaped, French hoop.
All that remains of the petticoat is 3 widths of silk, adapted purple silk and purple cotton binding tape to be tied apron-style under the front of the gown, possibly for fancy dress or modern display. The hem is faced back with white silk matching the bodice lining.
Some fragments of a narrow band of woven silver and silver-gilt lace (braid) remain on the right cuff; the robings may once have been trimmed in some way. Stitch marks on the sleeves lining would suggest that there once were weights inside each sleeve.
The sack is open down the front, with no waist seams, robings extending to the hem, and elbow-length sleeves and double sleeve ruffles. The back has two double box pleats, extending shoulder to hem. The bodice, sleeves and sleeve ruffles are lined with white taffet; the hem is faced with the same fabric. The bodice lining is open at the back with 4 pairs of ties. The sack is made of 6 widths of silk, and shaped at the sides with gores of silk to fit over a wide fan-shaped, French hoop.
All that remains of the petticoat is 3 widths of silk, adapted purple silk and purple cotton binding tape to be tied apron-style under the front of the gown, possibly for fancy dress or modern display. The hem is faced back with white silk matching the bodice lining.
Some fragments of a narrow band of woven silver and silver-gilt lace (braid) remain on the right cuff; the robings may once have been trimmed in some way. Stitch marks on the sleeves lining would suggest that there once were weights inside each sleeve.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Silk, silk thread, silver thread, silver-gilt thread; hand-woven brocade, hand sewing |
Brief description | A woman's sack and petticoat, 1755-60, British; Purple silk, brocaded metal threads, floral sprays, French, 1755-60 |
Physical description | A woman's sack and petticoat of purple silk brocaded with a floral pattern in white with red centres, yellow, red and white and silver with red, and pink centres. The foliage is in green and the design is linked by vertical meandering trails in silver gilt. The sack is open down the front, with no waist seams, robings extending to the hem, and elbow-length sleeves and double sleeve ruffles. The back has two double box pleats, extending shoulder to hem. The bodice, sleeves and sleeve ruffles are lined with white taffet; the hem is faced with the same fabric. The bodice lining is open at the back with 4 pairs of ties. The sack is made of 6 widths of silk, and shaped at the sides with gores of silk to fit over a wide fan-shaped, French hoop. All that remains of the petticoat is 3 widths of silk, adapted purple silk and purple cotton binding tape to be tied apron-style under the front of the gown, possibly for fancy dress or modern display. The hem is faced back with white silk matching the bodice lining. Some fragments of a narrow band of woven silver and silver-gilt lace (braid) remain on the right cuff; the robings may once have been trimmed in some way. Stitch marks on the sleeves lining would suggest that there once were weights inside each sleeve. |
Dimensions |
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Object history | This gown, along with T.251-1959 and T.252-1959, was exhibited at the Bethnal Green Museum Loan Exhibition of Furniture in 1896 by Florence Senhouse. They are said to have been worn by Miss Catherine Villiers, Maid of Honour to Queen Caroline. Villiers was born before 1707, died in 1772, married John Craster of Craster, Northumberland 17 January 1727. He was MP for Weobly, Herefordshire, 1754-61 and died in 1763. |
Collection | |
Accession number | T.253&A-1959 |
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Record created | June 24, 2009 |
Record URL |
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