St George and the Dragon
Relief
ca. 1850 (made)
ca. 1850 (made)
| Artist/Maker | |
| Place of origin |
This statuette was executed in the 19th century as an imitation of a 15th century work.
The production of ivories in historicizing styles in the 19th century flourished in a number of centres, including Cologne, Milan, Toulouse and Cordoba. Although not always made to deceive, unscrupulous dealers often sold them as genuine objects to their clients. There are a number of ivories in the collection that were made in an earlier style, when in fact they were produced in the nineteenth, or even the early twentieth century. It is not always known when such objects were manufactured as deliberate fakes, intended to deceive, and when they were instead fantasy pieces, historicizing sculptures, simply made in an earlier manner.
George is a legendary warrior saint and martyr. His origins lie in Greece and he became popular in the West from the 13th century. He is the patron saint of several European Cities, one of them Venice. He was also made patron of England in 1222.
To the early Christians the dragon symbolised the evil. St. George slaying the dragon thus refers to the conversion of a heathen country to Christianity. Later ages interpreted the story following the ancient Greek meaning.
The production of ivories in historicizing styles in the 19th century flourished in a number of centres, including Cologne, Milan, Toulouse and Cordoba. Although not always made to deceive, unscrupulous dealers often sold them as genuine objects to their clients. There are a number of ivories in the collection that were made in an earlier style, when in fact they were produced in the nineteenth, or even the early twentieth century. It is not always known when such objects were manufactured as deliberate fakes, intended to deceive, and when they were instead fantasy pieces, historicizing sculptures, simply made in an earlier manner.
George is a legendary warrior saint and martyr. His origins lie in Greece and he became popular in the West from the 13th century. He is the patron saint of several European Cities, one of them Venice. He was also made patron of England in 1222.
To the early Christians the dragon symbolised the evil. St. George slaying the dragon thus refers to the conversion of a heathen country to Christianity. Later ages interpreted the story following the ancient Greek meaning.
Object details
| Categories | |
| Object type | |
| Title | St George and the Dragon (generic title) |
| Materials and techniques | Ivory and silver-gilt details |
| Brief description | Relief, ivory and silver-gilt, St George and Dragon, probably French (Paris) or German (Cologne), ca. 1850, made in the style of 15th century |
| Physical description | In a landscape with a castle from which the King and Queen look down. Below the castle kneels the Princess Sabra (or Cleodolinda). A little lower is her lamb. In the foreground the Saint in armour riding a steed which rears above the cowering dragon. Carved in high relief with the principal figures of the mounted Saint George and the dragon almost carved in the round. The horse rears up above the cowering dragon, which curves its tail around that of the horse, as the saint drives a long lance into the beast's mouth with his raised right hand. The horse trappings and reins and the saint's spurs are made in silver-gilt. Behind is a steep rocky landscape with, at the top, a castle from which the tiny heads of the king and queen look down; below kneels the princess with her accompanying lamb, the latter made separately in silver-gilt and fixed top the underside. The back is entirely flat. |
| Dimensions |
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| Object history | Formerly in the Hollingworth Magniac Collection, Colworth, Bedfordshire, by 1862; sold at the Magniac sale, 1892, Christie, Manson & Woods, London, 5 July 1892, lot 260; £45 3s); then George Salting collection, London. Bequeathed to the V&A by Salting in 1910 (no. 1532). |
| Production | executed in the 19th century as an imitation of a 15th century work |
| Subjects depicted | |
| Summary | This statuette was executed in the 19th century as an imitation of a 15th century work. The production of ivories in historicizing styles in the 19th century flourished in a number of centres, including Cologne, Milan, Toulouse and Cordoba. Although not always made to deceive, unscrupulous dealers often sold them as genuine objects to their clients. There are a number of ivories in the collection that were made in an earlier style, when in fact they were produced in the nineteenth, or even the early twentieth century. It is not always known when such objects were manufactured as deliberate fakes, intended to deceive, and when they were instead fantasy pieces, historicizing sculptures, simply made in an earlier manner. George is a legendary warrior saint and martyr. His origins lie in Greece and he became popular in the West from the 13th century. He is the patron saint of several European Cities, one of them Venice. He was also made patron of England in 1222. To the early Christians the dragon symbolised the evil. St. George slaying the dragon thus refers to the conversion of a heathen country to Christianity. Later ages interpreted the story following the ancient Greek meaning. |
| Bibliographic references |
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| Collection | |
| Accession number | A.574-1910 |
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| Record created | June 24, 2009 |
| Record URL |
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