Four Elements and Adam and Eve
Box and Lid
ca. 1650-1700 (made)
ca. 1650-1700 (made)
Artist/Maker | |
Place of origin |
This turned circular ivory box and lid is carved with reliefs of the Four Elements, represented by four seated women: one wearing a fur hat seated at a brazier (Fire), another blowing a horn (Air), a third, bare-breasted, with a trident and a fish (Water), and finally Europa and the bull (Earth). Four trees separate the four figures. The turned central medallion from the lid is adorned with a poorly carved image of Adam and Eve standing under the Tree of Knowledge. This is almost certainly later.
The carvings of the Four Elements are undoubtedly in the style of the Austrian ivory sculptor Balthasar Griessmann (ca. 1620-1706), and the box corresponds with other works known by him. It is difficult to date this piece precisely, as so few of the artist's works are dated, but it was probably made in the second half of the 17th century.
For many years Griessmann was known only as the Monogrammist B.G. In recent years his identity has been established by Franz Wagner, who established from documentary sources that Griessmann worked in Vienna and Salzburg, concentrating on ivory vessels and dishes, although he also worked in stone and horn. Many of his ivory relief depend from South Netherlandish engraved sources, and have a distinctive figural style, crowed with small figures, often with windswept hair, and charming genre details. He may have trained in the Netherlands.
The carvings of the Four Elements are undoubtedly in the style of the Austrian ivory sculptor Balthasar Griessmann (ca. 1620-1706), and the box corresponds with other works known by him. It is difficult to date this piece precisely, as so few of the artist's works are dated, but it was probably made in the second half of the 17th century.
For many years Griessmann was known only as the Monogrammist B.G. In recent years his identity has been established by Franz Wagner, who established from documentary sources that Griessmann worked in Vienna and Salzburg, concentrating on ivory vessels and dishes, although he also worked in stone and horn. Many of his ivory relief depend from South Netherlandish engraved sources, and have a distinctive figural style, crowed with small figures, often with windswept hair, and charming genre details. He may have trained in the Netherlands.
Object details
Categories | |
Object type | |
Parts | This object consists of 3 parts.
|
Title | Four Elements and Adam and Eve (named collection) |
Materials and techniques | Carved ivory |
Brief description | Box with lid, circular, carved ivory, Four Elements and Adam and Eve, by Balthasar Griessmann, Austrian, ca. 1650-1700 |
Physical description | This circular box with screw lid is of carved ivory. On the lid is a medallion with the scenes of Adam and Eve standing under the Tree of Knowledge. Around the box are carved allegorical subjects in relief representing the Four Elements: Fire, Earth, Air and Water, represented by four seated women. One wearing a fur hat seated at a brazier (Fire), another blowing a horn (Air), a third, bare-breasted, with a trident and a fish (Water), and finally Europa and the Bull (Earth). Four trees separate the four figures. |
Dimensions |
|
Object history | Bought by Henry Cole from the Museum of the Jesuit Collegio Romano in Rome in 1859. |
Subjects depicted | |
Association | |
Summary | This turned circular ivory box and lid is carved with reliefs of the Four Elements, represented by four seated women: one wearing a fur hat seated at a brazier (Fire), another blowing a horn (Air), a third, bare-breasted, with a trident and a fish (Water), and finally Europa and the bull (Earth). Four trees separate the four figures. The turned central medallion from the lid is adorned with a poorly carved image of Adam and Eve standing under the Tree of Knowledge. This is almost certainly later. The carvings of the Four Elements are undoubtedly in the style of the Austrian ivory sculptor Balthasar Griessmann (ca. 1620-1706), and the box corresponds with other works known by him. It is difficult to date this piece precisely, as so few of the artist's works are dated, but it was probably made in the second half of the 17th century. For many years Griessmann was known only as the Monogrammist B.G. In recent years his identity has been established by Franz Wagner, who established from documentary sources that Griessmann worked in Vienna and Salzburg, concentrating on ivory vessels and dishes, although he also worked in stone and horn. Many of his ivory relief depend from South Netherlandish engraved sources, and have a distinctive figural style, crowed with small figures, often with windswept hair, and charming genre details. He may have trained in the Netherlands. |
Bibliographic references |
|
Collection | |
Accession number | 4715:1 to 3-1859 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 24, 2009 |
Record URL |
Download as: JSONIIIF Manifest