Image of Gallery in South Kensington
On display at V&A South Kensington
Korea, Room 47g

Vase

1990 (made)
Artist/Maker
Place of origin

This inlaid celadon bottle is by the contemporary Korean artist Shin Sang-ho (born 1936), whose works have been widely exhibited in Korea, Europe, the United States and Japan. With its finely crackled, translucent celadon glaze and delicately inlaid design of cranes, the vase pays homage to Korean ceramics of the Koryo dynasty (918-1392AD). Its strong shape is, however, entirely different from Koryo celadon which often imitated natural organic shapes, such as melon and bamboo. Equally uncommon to Koryo celadon is the angular body created by the ridges that divide the bottle into irregular facets. The finely carved trees appear to grow from these ridges, creating a striking yet subtle decorative effect.


Object details

Categories
Object type
Materials and techniques
Stoneware, thrown and faceted, with decoration inlaid under a celadon glaze
Brief description
Faceted vase, stoneware inlaid under a celadon glaze with a design of cranes and pine. Made by Shin Sang-ho (born 1936), Korean, 1990
Physical description
The inspiration for this vase, bearing two lugs on the shoulders, derives from the celebrated celadons of the Koryo period (918-1392). The black-and-white inlaid motifs of a pine tree and paired cranes, popularly used in koryo ornamentation, here blend with the facets and the crackled glaze to create a subtle yet distinctive composition.
Dimensions
  • Height: 29.4cm
Marks and inscriptions
Incised signature and date on base of bottle: '1990'
Credit line
Supported by the Friends of the V&A
Subjects depicted
Summary
This inlaid celadon bottle is by the contemporary Korean artist Shin Sang-ho (born 1936), whose works have been widely exhibited in Korea, Europe, the United States and Japan. With its finely crackled, translucent celadon glaze and delicately inlaid design of cranes, the vase pays homage to Korean ceramics of the Koryo dynasty (918-1392AD). Its strong shape is, however, entirely different from Koryo celadon which often imitated natural organic shapes, such as melon and bamboo. Equally uncommon to Koryo celadon is the angular body created by the ridges that divide the bottle into irregular facets. The finely carved trees appear to grow from these ridges, creating a striking yet subtle decorative effect.
Bibliographic references
  • Beth McKillop. Korean Art and Design. London: V&A, 1992, p. 81
  • Liz Wilkinson. Birds, Bats & Butterflies in Korean Art. London: Sun Tree Publishing, Singapore, 1996. 112113.
Collection
Accession number
FE.41:1-1991

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Record createdApril 6, 2000
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