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Two Warriors on Horseback

Casket Lid
mid 11th century (made)
Artist/Maker
Place of origin

This plaque is from Byzantine (Constantinople), probably from the mid 11th century.
It originally formed the lid of a small casket. There are remains of crimson pigmentation, indicating that the plaque was completely painted in this colour, although probably not originally.
Unusually for Byzantine caskets, this lid is carved from a solid plaque of ivory rather than being constructed from separate elements pegged to a wooden core.


Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Casket Lid
  • Panel
  • Fragments
TitleTwo Warriors on Horseback (generic title)
Materials and techniques
Elephant ivory with traces of paint
Brief description
Casket lid, ivory, with warriors on horseback, Byzantine (Constantinople), probably mid 11th century
Physical description
Two mounted warriors face each other, the one on the left holding a lance, the other a sword. Both carry round shields on their backs, strapped over their shoulders. Behind each warrior a stubby trunk of a tree emerges from the border. The integral border is composed of interlaced scrolls, with lozenges in the interstices, forming circles filled with leaves, animals, a griffin and birds.
Dimensions
  • Height: 7.8cm
  • Length: 16.8cm
Style
Object history
The plaque originally formed the lid of a small casket. There are remains of crimson pigmentation, indicating that the plaque was completely painted in this colour, although probably not originally.
From the Salting bequest (1910).
Historical context
Unusually for Byzantine caskets, this lid is carved from a solid plaque of ivory rather than being constructed from separate elements pegged to a wooden core.
Production
probably mid 11th century
Subjects depicted
Summary
This plaque is from Byzantine (Constantinople), probably from the mid 11th century.
It originally formed the lid of a small casket. There are remains of crimson pigmentation, indicating that the plaque was completely painted in this colour, although probably not originally.
Unusually for Byzantine caskets, this lid is carved from a solid plaque of ivory rather than being constructed from separate elements pegged to a wooden core.
Bibliographic references
  • Williamson, Paul. Medieval Ivory Carvings. Early Christian to Romanesque. London, V&A Publishing, Victoria and Albert Museum, 2010, pp. 104, 5 , cat.no. 22
  • Goldschmidt, A. and Weitzmann, K. Die byzantinischen Elfenbeinskulpturen des X. - XIII. Jahrhunderts, Erster Band: Kaesten, Berlin, 1930 (reprinted, Berlin, 1979), cat.no. 42, pl. XXI
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. Part I. London: Victoria and Albert Museum, 1927, p. 38
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 88
Collection
Accession number
A.542:1-1910

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Record createdJune 24, 2009
Record URL
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