Dish
1867 (made)
Artist/Maker | |
Place of origin |
Joseph (Giuseppe) Devers (1823-1882) was born in Turin and trained as a painter and sculptor. After some work in Italy he moved to Paris in 1849 to further his training under Ary Scheffer and François Rude. He established his own pottery in rue Hallé, Montrouge, Paris, working there from 1853-1871, when he returned to Turin as Professor of Ceramics at the Accademia Albertina.
Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and he was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament.
Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and he was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament.
Object details
Categories | |
Object type | |
Materials and techniques | Tin-glazed earthenware |
Brief description | IT, NP, 19 |
Physical description | Dish, painted in reds and pinks with a mythological subject in the centre, the rim with scrolls and grotesques. |
Dimensions |
|
Marks and inscriptions | 'Devers 1867' painted, on obverse (Painted) |
Summary | Joseph (Giuseppe) Devers (1823-1882) was born in Turin and trained as a painter and sculptor. After some work in Italy he moved to Paris in 1849 to further his training under Ary Scheffer and François Rude. He established his own pottery in rue Hallé, Montrouge, Paris, working there from 1853-1871, when he returned to Turin as Professor of Ceramics at the Accademia Albertina. Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and he was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament. |
Collection | |
Accession number | 447-1869 |
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Record created | June 24, 2009 |
Record URL |
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