Plaque
1862 (made)
| Artist/Maker | |
| Place of origin |
Joseph (Giuseppe) Devers (1823-1882) was born in Turin and trained as a painter and sculptor. After some work in Italy he moved to Paris in 1849 to further his training under Ary Scheffer and François Rude. He established his own pottery in rue Hallé, Montrouge, Paris, working there from 1853-1871, when he returned to Turin as Professor of Ceramics at the Accademia Albertina.
Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament.
Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Earthenware |
| Brief description | F, NP, 19 |
| Physical description | Plaque, painted in colours on a blue ground with a figure of Cupid and a scroll lettered Che in Cielo Giammai non Venneo Scritto Che Diletto d'Amor Fosse Delitto' [? indistinct] |
| Dimensions |
|
| Marks and inscriptions | 'JD 1862' painted on obverse |
| Object history | Exhibited in the international exhibition, London, 1862 and purchased from there. |
| Subject depicted | |
| Summary | Joseph (Giuseppe) Devers (1823-1882) was born in Turin and trained as a painter and sculptor. After some work in Italy he moved to Paris in 1849 to further his training under Ary Scheffer and François Rude. He established his own pottery in rue Hallé, Montrouge, Paris, working there from 1853-1871, when he returned to Turin as Professor of Ceramics at the Accademia Albertina. Devers designed both decorative wares and architectural ceramics, such as for the churches of La Trinité and St-Amboise, with panels made at the specialist tileworks of Maison Pichenot-Loebnitz. Throughout his career, his classical training underpinned his designs and was much influenced by the faience of the 15th century Della Robbia family of Florence. He was especially attracted to the rich background colours of blue or gold and frequently used motifs associated with Italian or French Renaissance ornament. |
| Collection | |
| Accession number | 8017-1862 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | June 24, 2009 |
| Record URL |
Download as: JSONIIIF Manifest
