Bottle
1650-1700 (made), 1800-75 (mounting)
| Artist/Maker | |
| Place of origin |
In 19th century Qajar Iran, before a contemporary export market had emerged, a commercial market for historical artefacts arose, fuelled by Western collectors and museums. Historically, fragmentary material culture, particularly ceramics, including 17th century Safavid fritware, and Chinese porcelain, which had been damaged through use, was often repaired or re-purposed with metal mounts, frequently brass, to replace missing spouts, handles, lids and necks. Many examples were acquired for the Victoria and Albert Museum by Major-General Sir Robert Murdoch Smith (1835-1900) in Iran in the 1870s and 1880s. Among these is a large corpus embellished with a minutely engraved repertoire of figures from 19th century Iranian visual culture: youthful Qajar princes, veiled women, dervishes, acrobats, as well as monstrous supernatural beings, known as divs, and a range of bizarre humanoid creatures. These mounted vessels of Safavid fritware are therefore couched in a Qajar environment and re-fitted according to contemporary taste.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Fritware, lustre decoration; brass, engraved |
| Brief description | Bottle, fritware, painted in ruby-coloured lustre, Iran, 1650-1700. Later engraved brass collar |
| Physical description | Bottle, fritware, or inverted conical form with lobed body and long cylindrical neck, painted with swirling lines of poppies and other flowers in copper-coloured lustre. With a later engraved brass collar on the neck. |
| Dimensions |
|
| Object history | This object was purchased in Tehran in 1873, by Robert Murdoch Smith on behalf of the Museum. In his first bulk acquisition for the South Kensington Museum (today the V&A), Murdoch Smith had bought "a considerable collection" of over 100 examples of metalwork, ceramic, inlaid woodwork and textile from different local sources, including French diplomat Emile Charles Bernay and four art-dealers: Nasrullah Dellal, Abu'l-Hassan Dellal, Abdul-Husayn and Reza Kashi of Tehran. Many further acquisitions followed in the years 1873-1878 and 1883-1885, most extensively from the art-dealer Jules Richard, long resident in Tehran. |
| Subjects depicted | |
| Summary | In 19th century Qajar Iran, before a contemporary export market had emerged, a commercial market for historical artefacts arose, fuelled by Western collectors and museums. Historically, fragmentary material culture, particularly ceramics, including 17th century Safavid fritware, and Chinese porcelain, which had been damaged through use, was often repaired or re-purposed with metal mounts, frequently brass, to replace missing spouts, handles, lids and necks. Many examples were acquired for the Victoria and Albert Museum by Major-General Sir Robert Murdoch Smith (1835-1900) in Iran in the 1870s and 1880s. Among these is a large corpus embellished with a minutely engraved repertoire of figures from 19th century Iranian visual culture: youthful Qajar princes, veiled women, dervishes, acrobats, as well as monstrous supernatural beings, known as divs, and a range of bizarre humanoid creatures. These mounted vessels of Safavid fritware are therefore couched in a Qajar environment and re-fitted according to contemporary taste. |
| Collection | |
| Accession number | 449-1874 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | June 24, 2009 |
| Record URL |
Download as: JSONIIIF Manifest
