Vase thumbnail 1
Vase thumbnail 2
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images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Vase

100 BC to 600 AD (made)
Place of origin

Globular vessel of red earthenware with two linked spouts at the top. The black and cream ground is painted on opposite sides with two polychrome hummingbirds in slips of cream, red and brown with black outlines.


Object details

Categories
Object type
Materials and techniques
Earthenware, painted with slip and burnished
Brief description
Earthenware vessel painted with two humming birds, Peru, early Nasca style, 100 BC to 600 AD
Physical description
Globular vessel of red earthenware with two linked spouts at the top. The black and cream ground is painted on opposite sides with two polychrome hummingbirds in slips of cream, red and brown with black outlines.
Dimensions
  • Height: 12cm
  • Diameter: 10.2cm
Converted from inches
Style
Credit line
Given by The Dowager Lady Steel-Maitland
Object history
According to a letter in the RF, dated 7/9/41 "Brought back by the late Rt.Hon. Sir Arthur Steel Maitland from La Paz in 1921" (Bolivia)

Historical significance: The Nasca style was subject to changes over seven centuries. Many examples from the Early phase include quite simple compositions of stylised subjects from the natural world, very important to their agrarian and fishing culture. Designs include a wide range of local animals and birds naturalistic enough to identify the species, such as the hummingbirds on this bottle.

The double spout and bridge demonstrated here is one of the most distinctive and complicated Nasca vessel forms. On one level it had a very practical function as the second opening allowed for air to escape so liquid poured smoothly.
Historical context
The Nasca people lived in Southern Peru in the desert valleys leading to the coast, and pottery produced by the Nasca Culture from ca.100 BC to 600 AD is some of the most accomplished of pre-columbian civilizations. Nasca pots were formed by coiling, drawing and shaping by direct modelling rather than the use of moulds. The decoration is characterised by skilled polychrome slip painting. Blocks of coloured slips were painted using brushes made from Llama or Alpaca fur and then the distinctive black outlines of the image were added on top. The surface was carefully burnished before firing to produce a smooth and shiny surface.
Production
South Coast of Peru
Subject depicted
Bibliographic references
  • Christopher Donnan ,Ceramics of Ancient Peru Fowler Museum of Cultural History, University of California, LA 1992
  • Proulx, Donald A., A sourcebook of Nasca Ceramic Iconography, University of Iowa Press, 2006
Collection
Accession number
C.14-1941

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Record createdJune 24, 2009
Record URL
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