Vase
second half 16th century (made)
| Artist/Maker | |
| Place of origin |
Object Type
This vase is made of fine porcelain painted in underglaze blue with a design of flowers and foliage. The style of decoration was associated with the East and would have appealed to a Victorian audience in search of the exotic. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century.
Place
The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. This vase does not come from The Grove as such, but is of a type that would have been included in Kenrick's collection.
Time
Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s they were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect. Older pieces were displayed alongside newer products.
This vase is made of fine porcelain painted in underglaze blue with a design of flowers and foliage. The style of decoration was associated with the East and would have appealed to a Victorian audience in search of the exotic. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century.
Place
The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. This vase does not come from The Grove as such, but is of a type that would have been included in Kenrick's collection.
Time
Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s they were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect. Older pieces were displayed alongside newer products.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Porcelain, painted in underglaze cobalt blue |
| Brief description | Scent bottle |
| Dimensions |
|
| Object history | Purchased from Robert Murdoch Smith, accessioned in 1876. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project. IRAN |
| Production | CHINESE |
| Subjects depicted | |
| Summary | Object Type This vase is made of fine porcelain painted in underglaze blue with a design of flowers and foliage. The style of decoration was associated with the East and would have appealed to a Victorian audience in search of the exotic. Commonly known as 'Chinese blue and white', vases like this were used to decorate the interiors of many British homes in the 19th century. Place The Grove, Harborne, near Birmingham, was commissioned by William Kenrick (1831-1919). An inventory drawn up in 1911 shows that the anteroom was decorated with a large collection of ceramics including Wedgwood, Spode, Worcester, art pottery and Chinese blue and white. This vase does not come from The Grove as such, but is of a type that would have been included in Kenrick's collection. Time Chinese blue and white had been imported into Britain since the 16th century. Although by the 1870s they were no longer rarity items, they continued to feature prominently in interior design. Rooms were filled with blue and white porcelain of different shapes and sizes to create a sumptuous effect. Older pieces were displayed alongside newer products. |
| Collection | |
| Accession number | 1586-1876 |
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| Record created | March 7, 2000 |
| Record URL |
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