Fairing, porcelain painted in enamels, Germany, late 19th century

The body of the fairing is in white porcelain under a shiny glaze. The base is rectangular and moulded at the corners and with scrollwork at the front forming a cartouche for the inscribed words, 'Kiss me quick.' On the base are two figures of a man and a woman in contemporary dress and each on a bicycle. They are leaning against each other.

Given by Mrs F. Dagg

Information on this immensely popular area of 19th century production is remarkably scare and virtually the only serious research into fairings has been done by W. S. Bristowe, Victorian China Fairings, London, 1971, ed.

Of the factories making them by far the most prolific was Conta and Boehme of Pössneck in Saxony. Founded in 1790 they specialised in small porcelain ares such as dolls' heads and, from about 1860, in fairground souvenirs of "fairings'. Many, but not all, are impressed with a crooked arm, the hand grasping a dagger, within a shield. The subjects were supplied form England, possibly by F & S Salaman, 136 Fenchruch Street, London, beginning as early as 1855. The sources are popular prints, song sheets and cartoons and many have been identified. The majority are captioned but many are not; a few are captioned in German and French but the scarcity of these proves that it was the English market which was the most receptive. The subjects vary from the innocent (playing children or simple jokes) to the saucy (bedroom frolics or frankly suggestive); from social record such a working children and early bicyclists to caricatures of the law or politicians. At the far end of the range there are portraits of well-known characters, both fictional and non-fictional and of war events such as wounded soldiers or representations of the great powers, as in the bear and turkey group.

C.300-1983