Image of Gallery in South Kensington
On display at V&A South Kensington
Ironwork, Room 113

Fireback

1635 (made)
Artist/Maker
Place of origin

Cast iron fireback, with the royal arms of the Stuart sovereigns, the initials CR - the monogram of King Charles I, and the motto of the English crown, DIEU ET MON DROIT


Object details

Categories
Object type
Materials and techniques
Cast iron
Brief description
Fireback, with the royal arms of the Stuart sovereigns, the initials CR - the monogram of King Charles I, and the motto of the English crown, DIEU ET MON DROIT, cast iron, England, 1635
Physical description
Cast iron fireback, with the royal arms of the Stuart sovereigns, the initials CR - the monogram of King Charles I, and the motto of the English crown, DIEU ET MON DROIT
Dimensions
  • Height: 57.5cm
  • Width: 67.3cm
  • Depth: 2cm
Marks and inscriptions
Heraldic. Royal Arms as used by Stuart Sovereigns.
Gallery label
FIREBACK Cast iron England; dated 1635 With the royal arms of the Stuart sovereigns, the initials CR - the monogram of King Charles I 1625-49) - and the motto of the English crown, DIEU ET MON DROIT (God and my right). Museum No. 795-1896(07/1994)
Object history
Firebacks were used at the back of fireplaces, and served both to throw the heat of the fire forward into a room and to protect the stonework or brickwork behind them.

A large number of firebacks produced during the late 16th and 17th centuries included royal coats of arms and are known as armorial firebacks. The number of different designs in the Tudor period was modest compared with the Stuart, during which 'C R' (Carolus Rex) was used in the reigns of both Charles I and Charles II. In the case of this fireback, the inclusion of '1635' in the design dates it to the reign of the former.
Historical context
The museum is grateful for images and information supplied by the researcher and author, Jeremy Hodgkinson FSA, 30 March 2022
Production
The patterns on firebacks were created by pressing one or more pattern-moulds into a bed of sand. After removing the moulds from the bed of sand, the liquid iron was then poured into the impression left by the pattern-mould and allowed to cool. Iron to be used for casting had to be heated to liquid form, which required a very high temperature. It is not known exactly when this became technically possible, but it was probably in the course of the 15th century.
Subjects depicted
Bibliographic references
  • Gloag, John and Derek Bridgwater. A history of cast iron in architecture. London : G. Allen and Unwin. 1948. 395p., ill. fig.27, p.27
  • Lloyd, N. Domestic Ironwork. I. Firebacks. Archaeological Review. LVIII, 1925. pp.58-67.
  • Jeremy Hodgkinson, British Cast-Iron Firebacks of the 16th to mid 18th Centuries, Crawley (Hodgersbooks), 2012, p.121, fig 145 (illus); p.240, cat. 145
Collection
Accession number
795-1896

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Record createdJune 24, 2009
Record URL
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